One being that a believable setting is a must in a good horror film. Two being, “the pace of a good horror story is also important, meaning that the action must be level throughout the tale,” (McGlassson, Michael). Opposing to his opinion, every scene in The Neon Demon is cinematic and drawn out through its contemporized art, and the repetitive instruments that change accordingly to what’s happening. From a body hanging from the ceiling with nothing but a black background to a single still of a woman painted red, the definition of The Neon Demon is minimalistic but unrealistic. The steady pace and strange scenes construct the build up to the impactful ending chase scene that is every little bit unresolving but
One being that a believable setting is a must in a good horror film. Two being, “the pace of a good horror story is also important, meaning that the action must be level throughout the tale,” (McGlassson, Michael). Opposing to his opinion, every scene in The Neon Demon is cinematic and drawn out through its contemporized art, and the repetitive instruments that change accordingly to what’s happening. From a body hanging from the ceiling with nothing but a black background to a single still of a woman painted red, the definition of The Neon Demon is minimalistic but unrealistic. The steady pace and strange scenes construct the build up to the impactful ending chase scene that is every little bit unresolving but