Most landscapes and torture settings are desolate and barren, yet full of souls. The Wood of Suicides lacks any souls. The landscape of Canto XIII is the most "earth-like" and, arguably, the most realistic. Instead of seeing any punished souls, Dante sees a wood, lacking a path, and populated by harpies. Dante notes that the trees are "unhealthy branches, gnarled and warped and tangled". The trees are, of course, depicted as unsettling, just as the other landscapes of Hell are. Yet, the lack of any visible remnants of humanity confuses Dante. He notes that he saw "no souls in pain / in all that waste". The lack of souls is a hint that the punishment is different from the other souls of Hell. The discovery is not made until after Virgil instructs Dante to pluck a leaf from one of the trees. The trees are not just trees: they are, in actuality, souls, ripped from their own
Most landscapes and torture settings are desolate and barren, yet full of souls. The Wood of Suicides lacks any souls. The landscape of Canto XIII is the most "earth-like" and, arguably, the most realistic. Instead of seeing any punished souls, Dante sees a wood, lacking a path, and populated by harpies. Dante notes that the trees are "unhealthy branches, gnarled and warped and tangled". The trees are, of course, depicted as unsettling, just as the other landscapes of Hell are. Yet, the lack of any visible remnants of humanity confuses Dante. He notes that he saw "no souls in pain / in all that waste". The lack of souls is a hint that the punishment is different from the other souls of Hell. The discovery is not made until after Virgil instructs Dante to pluck a leaf from one of the trees. The trees are not just trees: they are, in actuality, souls, ripped from their own