By it being related to physics because it has different things that I have learned in class to tell you how it related. It also has different concepts also which are center of gravity and balance, friction and glissade. These concepts show the movement of dance. The different small areas on the floor show balance. One of the concepts that I stated was balance which represent the Newton‘s third Law of motion. …show more content…
Sometimes the dancer can experience an angular acceleration towards the ground. It’s basically saying that the dancer will fall to one side. Dance also has concepts of friction and glissade. It involves mechanical and chemical. Each type of surface has its own coefficient of friction. The friction will be multiplied by the vertical force. You will have to increase the friction in dancing by doing Rosin. Friction is very important in dancing because of the coefficient of kinetic friction. When a dancer is in the concept of glissade, which the floor must be able to supply horizontal forces. By just having too much friction may prevent movements.
Dancing also involve acceleration. By jumping it is called a vertical acceleration. Balance also has something to do with dance. Balance deals with Ballet dancing because you need to have good balance to do that type of dance. If the dancer pushes upward and downward it will be no force. When dancing if you’re mass greater, your rotational inertia is greater. By the rotational inertia quadrupled, the distance …show more content…
Rotational inactivity depends on the mass of the artist and how far away he or she is from their rotational hub. The more prominent the mass of the artist, the more prominent measure of rotational latency. Along these lines, following precise energy = rotational inactivity * rakish speed, the more prominent the rotational latency the littler the precise speed. Whenever turning, the more precise force, the more troublesome it is for the artist to quit turning. An extensive precise force is favored when artists are get ready to perform ten or more turns consecutively. The most essential of all turns is the pirouette. Another key rule that must be connected when pirouetting is torque. At the end of the day, torque is the "turning drive" that can adjust an artists rakish force. Torque is made by the grating between the artist 's foot and the floor. In relationship to Newton 's Second Law of Motion, the whole of the powers amid a pirouette is a result of the mass of the artist and how quick he or she is turning. The bigger the precise speed of the artist, the littler the rotational inactivity (and the other way around). One of the early lessons I 'm certain all the Dancing professionals taught their big name understudies is the way to stay adjusted. What this essentially implies in English is don 't fall, however in material science terms that implies that your net power is zero-that the