Borrowing the genre of melodrama, Almodóvar’s award-winning film, All About My Mother (1999), features transgender and post-queer study of sexuality. Apart from presenting two pre-op transgenders, the film renders a variety of “abnormal” intimate relationships, including the protagonist, Manuela’s family without a father, Huma’s ultimately failed lesbian relationship with Nina, and the family formed at the end of the film, constituted by Manuela, Rosa’s baby, and queer girlfriends. These unusual forms of intimacy disturb the hereto-sexist institutions, e.g. marriage and family. Portraying gender, sexuality, and identity as unfixed, the film mocks the conventional perception by interweaving the theatrical performance with the real life: On the one hand, the fixity and stereotype of femininity and masculinity are fostered by cinematic representations, exemplified by Hollywood productions; On the other hand, the reference to…