“As a question of architectural ambition, art museums are the new churches…” Jason Fargo states his point rather decisively. But what would induce one to agree? How does Fargo present his case in a way which attracts the reader to both continue reading and eventually, support his statement. Fargo targets an assortment of points with intelligent wordage, elaborate historical background, evidence, and emotional appeal.…
Throughout his long career Eladio never forgot that he built for the modest people of his home country, they were in many ways his inspiration. Therefore, in an industry so often only represented by world famous architects and their client portfolio, Eladio Dieste stands out. I have explained, and supported with evidence, the concern for rationality in construction and economy understood in, I dared to say, a cosmic sense rather than a financial sense. However, this is not the whole thing that has guided me.…
He explores instances of heroic, complex, and transformative architecture and how other scholars have failed in their analysis. He does a fairly good job defining the terms he uses for each section, but does little to connect the three, making it difficult to decipher a cohesive aim of the…
The dynamics of cultural diffusion in Rome is reflected by this because the Romans looked at these buildings and kept in mind that the Greeks had inspired their hunger for progression and advancements. Works of architecture were clearly discerned from Greek works of architecture and reflected upon Rome’s will and historical repetitions of cultural…
Although Louis Sullivan’s ideas were romantic they were not wrong. In modern times, many counties have adopted this architype and compete, seeing who can reach the sky first and claim the highest skyscraper. This clearly demonstrates that he was correct in realizing that structures such as these represent man’s might, mathematical intellect, power of industry, and revolutionized culture. This can be most vividly displayed in the reason why the World Trade Center was one of the targets in the year 2000; it was a symbol of America and what it stood for. Sullivan’s design gave America architecture respect, purpose, and expanded industry.…
The second series, Developers, documents the construction of skyscrapers. As new buildings are created, more resources must be extracted to build the complexes as well as fill formations to make it constructible. Edi Hirose displays both collections within the same premise because they both enable the illustration of the long-term effects of the extraction…
Palladio was often celebrated as an architect of economy as he was cleverly able to achieve the aesthetic which appeased his upper class patrons by selectively using luxurious materials. In the case of Villa Barbaro, built of rough brickwork coated with stucco, this allowed for the simulation of marble without the use of the sumptuous stone (Ackerman & Massar, 1974). Palladio was able to describe the elements which determine the usability of certain prevalent materials in his Four Books of Architecture. Relevant to Villa Barbaro are his descriptions of the uses of stone and sand to make bricks as well as lime. Natural stone is extracted from quarries.…
Unfamiliar Nature David Ruy's practice explores the contemporary design problems at the intersection of architecture, nature, and technology. In this essay ‘Returning to (Strange) Object,’ Ruy talks about his position towards nature as an architect. The essay advocates for the diminishing role of the architect and also that the architects desire to establish its roots outside its scope is leading to irreversible self-inflicting damage to its authority. To do so, the author first presents our current notion of the nature as the ultimate milieu. For the architect, nature has always been an inspiration and also a force that challenges its limitation.…
Elizabethan Era architecture is often described as elegant, ornate, and exquisite. It was created to be a modernised version of the prominent architecture that came before it. In the beginning of this era, there was little to no design process involved in the construction of a building. Think of it like a painter free-handing a painting. No thinking involved, just his hand holding a paintbrush going along with the flow of his emotions.…
These ideas, Hosey argues, that architecture is not limited to a specific group of people, but is relative to the group of people and the culture that houses the architecture. The beauty of architecture, is what makes it related to the time,…
Art has been the most basic form of self expression for thousands of years, from hieroglyphics and political cartoons, to the most iconic--The Starry Night by Vincent Van Gogh. However, clouded by popular belief on what is qualified as art, many paintings, statues, and even buildings have never gotten their time to shine as an impactful piece of art, even though they are equally responsible for shaping modern artistic techniques. When someone sees an impressive building, anywhere in the world, they consider the size, shape, and colors, maybe snap a photo, then move on. What those people have failed to do is look at the surface, instead merely dipping their foot into a world of meticulous details and precise symmetry. People all around the world…
Mohammed Waseem Chiraagh 1380983 ARCH 6313 - Critical Studies 3 Major Assignment Traditionally as humans, when critiquing a building our thoughts are based on the buildings form as a whole, one defined object or boundary made up of different components which creates the overall look, structure and how it fits into the contextual surroundings. In the text “Why Architecture Matters” Paul Goldberger, shows that not only the outer boundary or façade is important but that there is another dimension which is often open to wider interpretation and often disregarded when thinking about a building. This being the interior space within these boundaries, the interior of the building says a lot more than its exterior, as it defines the space, the light and the mood it creates.…
The architecture of the city summarises the city’s form. There are two different meanings. First, the city is a large man-made object, growing over time. Second, urban artifacts characterise by their history and form. The urban artifact intimately relates to a specific place, event and form in the city.…
He explains how Loos’s essay was not given attention to at first from the public, but later on when his publication began to spread internationally, changes were seen and attention to ornament “as a crime” was taking place in modern architecture design. Banham explains how Loos’s writings were inspirational, particularly to their role in inspiring the Futurists, the Dadaists, and the emerging modern movement. As well as being architecturally seen in the works of Le Corbusier and Erich Mendelsohn, Richard Neutra, and Rudolf Schindler. Banham does not discuss Loos’s built work in depth but he states that Loos’s work doesn’t reflect his argument for modern architecture that is ornament…
The Renaissance, a fairly broad period in history, is a topic that most modern individuals understand. This era in time is typically taught in middle school and high school classrooms, since the era was so innovative and important. Generally speaking, the Renaissance is credited with “reviving the best features of antiquity,” such as classical Roman or Greek beliefs, humanist philosophies, the blend of science with art, and an outpouring of the humanities (Janson 505). However, John Green, a smart, pristine individual argues in his YouTube video, “The Renaissance: was it a Thing?” that “the Renaissance was only experienced by the richest of the rich” and therefore it did not actually exist (Green).…