The role of media industries has been central to this debate, with proponents of the cultural imperialism thesis maintaining that globalization will homogenize culture all over the world, leaving little room for local resistance, and the cultural globalization approach, centering on audience reception, resistance to globalization, and the cultural hybridization that increased international interaction entails (Banerjee; Mirrlees). In this paper, I aim to open up a space in between these two perspectives that I will refer to as ‘institutional imperialism’, which involves the unilateral export of institutional, economic, and political practices from more economically, politically, and culturally powerful countries to those that are less so and where inequality is far more significant. It is similar to David Harvey’s () notion of ‘capitalist imperialism’, which is a kind of ‘accumulation by dispossession’ that draws countries into the nexus of global capitalism and offers little in
The role of media industries has been central to this debate, with proponents of the cultural imperialism thesis maintaining that globalization will homogenize culture all over the world, leaving little room for local resistance, and the cultural globalization approach, centering on audience reception, resistance to globalization, and the cultural hybridization that increased international interaction entails (Banerjee; Mirrlees). In this paper, I aim to open up a space in between these two perspectives that I will refer to as ‘institutional imperialism’, which involves the unilateral export of institutional, economic, and political practices from more economically, politically, and culturally powerful countries to those that are less so and where inequality is far more significant. It is similar to David Harvey’s () notion of ‘capitalist imperialism’, which is a kind of ‘accumulation by dispossession’ that draws countries into the nexus of global capitalism and offers little in