The principles of tight framing and character centering on the screen are used to convey Randal Mcmurphy as an oppressed individual who struggles to find power against the authority figures. Forman’s uses the the cinematic techniques of right to left motion, as well as high-angle camera shots, and low-angle shots disclose unconformity and definitive power roles towards the end of the film. Forman’s adaptation of the novel stays very true to the overall meaning of kessey’s counterculture ideals, while omitting certain facades of his
The principles of tight framing and character centering on the screen are used to convey Randal Mcmurphy as an oppressed individual who struggles to find power against the authority figures. Forman’s uses the the cinematic techniques of right to left motion, as well as high-angle camera shots, and low-angle shots disclose unconformity and definitive power roles towards the end of the film. Forman’s adaptation of the novel stays very true to the overall meaning of kessey’s counterculture ideals, while omitting certain facades of his