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Critical Analysis Of Dattani's 'Thirty Days In September'

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The play focuses on familial relationships and the conflict between father and son. “It examines the father-son relationship in which the father wants his son to follow his footprints and the son refusing to toe the line” (Das 50). In the words of Dattani,
HASMUKH. Should God permit me, I intent to stay right here. But everyone has to go sooner or later. I will retire one day, either from the company or from this world. What will become of you then? I have to season you now. You need seasoning.
AJIT.Seasoning! What do you mean, seasoning? I’m not a block of wood! . . .
HASMUKH.I should have prayed for a daughter. Yes, I want you to be me! What’s wrong with being me?
AJIT.And what becomes of me? The real me. I mean, if I am you, then …show more content…
The characters depict greed and viciousness, and sensuality all add up to a naturalistic depiction of those basic aspects of human life that one would like to shut one’s eyes to. Dattani gives his personal remarks on the play, “I sometimes see the funny side of even the tragic events that I am concerned with. But in this, [Thirty Days], I did not have that scope. There’s no way you can see the funny side . . .” (Chaudhuri …show more content…
In On a Muggy Night in Mumabi, Dattani highlights the crisis that gays face as they are torn between their true self and what the traditional Indian society expects them to be. Their feelings and hidden fears are carefully portrayed.The plays like On a Muggy Night in Mumbai, Bravely Fought the Queen depict strong passion, betrayal, frustration and conflicts in the lives of the homosexuals.The plays are the dramatist’s bold attempt to look into the inner recesses of those who are ostracized and forced to live with anxiety and insecurity in a lonely

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