Ultimately, these conflicting motivations develop Creon as a tragic hero by setting the pathway and showing fully Creon as the tragic hero, he is, and their interactions advance the plot and develop the theme by moving from event to event and adding the drama and conflicting points of views. Antigone’s words, actions and ideas contrast with creon’s character by completely contrasting…
In scene one Creon is having a meeting to establish his position as the new king. Creon tells the Chorus his plans to not bury Polyneices. Choragos did not agree with his decision and said, “Only a crazy man is in love with death.”…
In Oedipus the King, Oedipus displays his characteristic brilliance and overconfidence in what he regards as his heroic search for the murderer of Laius. He pursues the mystery relentlessly, confident that its solution will yield him the same glory he enjoyed when he answered the riddle of the Sphinx. Oedipus' self-assurance that he has taken care of his fate blinds him to it and begins the fall that will end in his literal blindness. Thus he becomes the victim rather than the conqueror of fate. In Antigone, Creon also displays a blind spot.…
In greek stories the gods were always in control of everything. If one person: human or god, became out of hand, the gods would punish that person. Disobeying the gods always came with consequences; which Creon didn’t understand. In Antigone, Creon has made it illegal to bury Polyneices, turning Polyneices into a bad guy. Even though Creon and him both wanted the same thing: to rule Thebes.…
Aristotle represented a tragic hero as having numerous various traits, and Creon fits the qualifications of being a tragic hero. One of those requirements is that the hero undergoes more than he deserves. Creon received an awful punishment for following what he deemed was right. Creon ends up annihilating Antigone by sending her to a prison, which results in his son’s demise, and also his wife’s death. At the conclusion, Creon is left with no one, and he is forced to stay alive in his suffering.…
She admitted to Creon, that she buried her dead brother, even though Creon had put a law in place that prohibited one to burry this brother. Antigone took direct action to attempt to give her brother a proper burial and funeral even though she knew for an unreasonable reason, Creon created a law that prohibited a burial and funeral for…
In the play Antigone by Sophocles, Creon demonstrates a superiority of man’s law over divine law which later ends in his downfall. Creon is portrayed as the true tragic hero through the tragic actions that he commits to those close to him. As a result, Creons actions along with his hubris foreshadow the deaths of those he sorely cares for. The death of Antigone followed by both his son and wife seemed to fill Creon with guilt and remorse. Due to his superior level as King of Thebes Creon looks down upon those around him and is perceived as being more superior to every Theban.…
Creon represents the tragic hero in Sophocles’ Antigone through his believes in choosing the state over his own family. Creon chooses the state over his family multiply times and doesn’t realize the consequences. One example that Creon chooses the state over his family is when he is talking to his son Hamion. Creon tells him the choice he should make over love. Creon says “You have heard my final judgment on that girl.”…
Two major themes that run throughout Sophocles’ play Antigone are loyalty and power. Loyalty and power are what drive the play forward; this theme affects not only Antigone, but Creon as well. Both Antigone and Creon are affected by this conflict, but in different ways. Antigone is first introduced to us as a young and loyal girl to bother her brother and the gods, that only wants to make sure both her brothers have a proper burial; according to the laws placed by the gods if someone does not receive a burial there will be no way for family members to reconnect with them in their life after death. Creon, who is the king and Antigone’s uncle, sets a law in place that no one is to bury or even mourn the death of Polynices.…
One week ago, Creon set forth the law that no person could bury Polyneices, in an attempt to preserve the honor of the Thebans who fell in combat. However, Creon ordered the entombment of Antigone when she broke this law, resulting in her decision to hang herself. Thus, we are here today to determine whether Creon is innocent of the crimes with which he has been charged. The…
After he tries freeing Antigone from his mandate but being to late he tells this to his guards “Then take this foolish man away from here/I killed you, my son, without intending to,/and you, as well, my wife. How useless I am now,” (Sophocles exodes 1477-1479). In this moment Creon is talking about himself and now he finally learns to listen to others, but when he now it is already too late to fix anything, but he did learn his lesson. Even though it cost him his wife, son and daughter in law lives. This is what makes this story tragic.…
In the play Antigone by Sophocles, Creon has recently been appointed as king of Thebes due to the recent deaths of his nephews, Polyneices and Eteocles. Although he is new to the throne, he proves himself to be an extraordinarily well rounded king, simultaneously being reasonable, fair, and good to the City of Thebes, as well as his own family. Through his actions and words it is as clear that he wants simply the best for those around him. He also makes decisions for the interest of not only himself, but others. Creon is a good, reasonable, and fair king to his family and the City of Thebes by not sentencing Antigone to death, not allowing Polyneices to be buried, and imprisoning Antigone despite her being family.…
In the story of Antigone, the character Creon is a tragic…
“I have killed my son and my wife…” (Page: 85, 145) This demonstrates how Creon accepts his guilt and realizes what he has done wrong. The saddest thing being a tragic hero of a story is that many individuals do not see the tragic hero until the end of the play. How it’s in the story of ‘Antigone.’ At the beginning of the story, many could say that Antigone was the tragic heroine of the story because during the play, she was left alone without the moral support of her sister, Ismene and going through the critics and judgments of an insensible king.…
Creon has an epiphany in which he admits his foolish and rash nature have put him in a tenuous position. He was previously blind to the will of his own people even after his son seeks to convince Creon not to murder Antigone while also apprising him that the people dislike the edict he passed. Furthermore, he admits that the fault for his son Haimon’s death by suicide is his because he refused to take the advice given by Haimon and to comply with the will of his son and his people. Creon’s hubris blinded him from seeing that Haimon loved Antigone, so he imprisoned Antigone even though she was merely trying to honor her extirpated brother. Creon admits that it was his “blind heart” that spawned his imminent demise and brought him to his “final darkness.”…