To do this Stanislavski devised what we call the “Fundamental Questions”, which help the actor gain an understanding of the character as a person and where that character is at a particular moment in time. It also helps to gain an understanding of what the character wants to achieve in the scene and throughout the whole play, the super objective, helping the actor understand what tactics their character will be utilising to get what they want. The fundamental questions were very helpful to me especially the question “What surrounds me?”. That question helped me to visualise the place where the scene was taking place, in my scene's case: a garden, and immerse myself in the characters world. Immersing myself in the characters world helped me to tune out the people watching and what was going on around me in a similar way to the circles of attention, it helped me to only focus on what was happening within the scene and how to act in the mental image I had of what would be surrounding the
To do this Stanislavski devised what we call the “Fundamental Questions”, which help the actor gain an understanding of the character as a person and where that character is at a particular moment in time. It also helps to gain an understanding of what the character wants to achieve in the scene and throughout the whole play, the super objective, helping the actor understand what tactics their character will be utilising to get what they want. The fundamental questions were very helpful to me especially the question “What surrounds me?”. That question helped me to visualise the place where the scene was taking place, in my scene's case: a garden, and immerse myself in the characters world. Immersing myself in the characters world helped me to tune out the people watching and what was going on around me in a similar way to the circles of attention, it helped me to only focus on what was happening within the scene and how to act in the mental image I had of what would be surrounding the