Aurora Borealis Analysis

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The two paintings I chose to compare and contrast are Aurora Borealis by Frederic Edwin Church and Portrait of Félix Fénéon by Paul Signac. Both paintings have the same mediums; oil on canvas. Aurora Borealis was created in 1865, it is now housed at the Smithsonian American Art Museum in Washington and its dimensions are 142.3 x 212.2 cm. Portrait of Félix Fénéon was created in 1890, it is now housed at the Museum of Modern Art in New York and its dimensions are 74 x 95 cm. Aurora Borealis is case of Church's utilization of luminism. Qualities of luminism are: a diffuse light, a foggy environment, and a quiet perspective of the land. Church’s color choice is very naturalistic. The lines used on Aurora Borealis elicit a conceptual connection. Portrait of Félix Fénéon gives an energetic vivid scenery of whirling hues. In this picture Signac catches the dynamic development by utilizing a system called pointillism. This style depended on logical …show more content…
American craftsmen of this time couldn't portray the contention utilizing the traditions of European history painting, which glamorized the saint on the war zone. Rather, America's finest painters caught the transformative effect of the war. Through scenes and sort works of art, these craftsmen offered voice to the country's most noteworthy beliefs and most profound concerns. Delineating a period that has been portrayed as the second American Revolution. Paul Signac had A kinship with Neo-Impressionist painter Georges Seurat who drove him to receive the new Divisionist style. He enormously appreciated Seurat's artwork "Bathers at Asnières" (1884), and started to share Seurat's enthusiasm for new painting strategies that best in class the standards of Impressionism.
Signac was focused on revolutionary legislative issues and was a tutor to more youthful vanguard craftsmen, including Henri

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