In Franco Zeffirelli’s movie adaptation, the setting has a medieval essence to it. With the stone walls, high ceilings, and fire used as lighting you can't help but feel you have jumped into William Shakespeare's Romeo and Juliet. And while this is a great way to immerse the audience, I feel that the newer interpretation by Baz Luhrmann is easier to understand and relate to for a wider audience. This is because Luhrmann’s 1996 translation is very modern. It is modern in a way that we can recognise and relate more to the setting of a large house on the beach than a castle. This modern setting is helpful because even when the old English is being spoken, you can look at the background and use context clues of where they are and what they are doing to help you distinguish what is taking place. This is why the setting of the newer movie is superior to the older
In Franco Zeffirelli’s movie adaptation, the setting has a medieval essence to it. With the stone walls, high ceilings, and fire used as lighting you can't help but feel you have jumped into William Shakespeare's Romeo and Juliet. And while this is a great way to immerse the audience, I feel that the newer interpretation by Baz Luhrmann is easier to understand and relate to for a wider audience. This is because Luhrmann’s 1996 translation is very modern. It is modern in a way that we can recognise and relate more to the setting of a large house on the beach than a castle. This modern setting is helpful because even when the old English is being spoken, you can look at the background and use context clues of where they are and what they are doing to help you distinguish what is taking place. This is why the setting of the newer movie is superior to the older