These self made fronts were formed from Christof’s influence which was based on the desires of the audience. Although these fronts were influenced, Truman had the agency to create them. He has a line that he repeats several times throughout the movie, “In case I don’t see you--good afternoon, good evening and good night” (Niccol 107-168). No one fed him this line, and yet he uses it often as if it was his catchphrase. The repetition of the word “good” indicates a falseness to his greeting as he says it all at once so he does not have to do so later, as if he does not want to. This can be further supported by the same facial expression he always makes after saying this line. This sameness depicts that this is a routinely action of Truman. Truman’s routine supports the motif of facade which disguises his authenticity. Truman has discovered what is accepted by the world around him, and limits his actions in accordance to what they accept. However, what is accepted is controlled by Christof and the audience. This power structure portrays the selfish needs of others, additionally supporting the lack of acceptance of the personal
These self made fronts were formed from Christof’s influence which was based on the desires of the audience. Although these fronts were influenced, Truman had the agency to create them. He has a line that he repeats several times throughout the movie, “In case I don’t see you--good afternoon, good evening and good night” (Niccol 107-168). No one fed him this line, and yet he uses it often as if it was his catchphrase. The repetition of the word “good” indicates a falseness to his greeting as he says it all at once so he does not have to do so later, as if he does not want to. This can be further supported by the same facial expression he always makes after saying this line. This sameness depicts that this is a routinely action of Truman. Truman’s routine supports the motif of facade which disguises his authenticity. Truman has discovered what is accepted by the world around him, and limits his actions in accordance to what they accept. However, what is accepted is controlled by Christof and the audience. This power structure portrays the selfish needs of others, additionally supporting the lack of acceptance of the personal