Judith’s self-portrait shows a clean balance in the way she uses the colors with a clear distinction on the texture of the oil placed across the canvas which looks very…
Stand there, right in front of the painting; what do you see? Look closely, very closely and see the paint on the canvas flow through each brush stroke, see the colors expand and blur, and see how the lights play off the soft, vibrant colors. Watch the swirls expand out into an infinite space in time . The paint flies beyond the canvas and the shadows and reflections blur into one. The pinks, blues, reds, yellows, oranges, purples, and browns blend together to create a symphony of colors.…
In full, Rembrandt Harmenszoon van Rijn, could be considered one of the most, perhaps the most, esteemed artists of the 17th century. During the Dutch Golden Age, his unique techniques, as well as others’ techniques learned, had shaped his well-known art career. Naturally, his art had developed greatly throughout his life. He persistently searched for new and different styles to demonstrate through his art. Rembrandt van Rijn was born on July 15, 1606 in Leiden, Netherlands.…
6. 1906, Brancusi, Constantin, Sleeping Muse, Romanian, Modernist Sculpture. TXT- This was to show the obsession with himself and had different forms of the head sculpture in marble, bronze, and plaster with each a special distinction. The head is similar to an egg from one of his works of art the Beginning of the World.…
The article is a critical synopgterop30is to the painter Peter Paul Ruben from author Lisa Rosenthal. She mentions few main art pieces which done by Ruben such as The Hero Crowned by Victory and Drunken Hercules. The author generally talks about Ruben’s art in the first few paragraphs and it shows that his works are popular among his many sponsors. And also, the author uses some examples from Ruben’s art works to show the abstract characteristic male and female figures in particular causes. Moreover, she discusses about masculinity and femininity by suing those examples.…
Comparison of Pieces of Rubens and Rembrandt There are two pieces that are provided. Both pieces come from two artists of the Baroque period for adding their faith and beliefs into their work, one who was a Catholic and the other who was a Protestant. The first work presented was completed in 1639 by Peter Paul Rubens and is known as “Consequences of War”. Rubens is a very well known artist of the time with a Catholic faith, that would occasionally affect his artwork. However, this oil painting on canvas does not show any signs of Ruben’s faith but rather interpreted as an anti-violence or pro-peace piece.…
1425-1428, oil on oak) in this painting. Of course, mainly because Rogier van der Weyden was a student of Robert Campin. But in my opinion, there is this very similar spirituality that is laid down on both paintings, and it was something that Robert could teach Rogier, it was something they both had (and possibly what established their connection.) In “The Mérode Altarpiece” “the smallest details are meticulously worked to reflect reality on a two-dimensional plane. Illusionistic effects are enhanced by the technical innovation of overlaying translucent oil pigments on aqueous opaque pigments”.…
There is currently a large amount of debate about the representation of Johann van Eyck's "Wedding Portrait". The portrait depicts a wealthy couple holding hands in their Flemish home. However, it does not necessarily imply a wedding or marriage. There are many symbolic aspects to this double portrait that I believe should be mentioned. Symbols such as the shoes, chandelier, dog, carpet, and fruit give the viewer subtle but, unclear details as to the purpose of the narrative.…
Hung Liu decided to paint this using oil on a canvas. By her using this media it made it appear as if it was photograph. This allowed the viewer to get a flash of the past since it made it look antique and the dripping effect by the oil further contributed to that very thing. Hung Liu style is quite impressive as well. Throughout most of her paintings she uses oil canvas and frequently has a great deal of contrast of colors within them.…
Rome was a polytheistic culture. This meant they believed in many gods and goddesses that all represented their own aspect of life or nature. The Romans were so devoted to them that they built massive buildings of worship to them known as the Pantheon. Not only did the Romans took what the gods said as law, but even incorporated them in their everyday lives and their ceremonies as well. This can be seen on the three wall paintings located in the Roman exhibit in the Metropolitan Museum of Art.…
Art in the Bible Is art in the bible? Would God understand our art or want us to create art? Francis Schaeffer explains all of this in the short book, Art and the Bible. There are many opinions and views on art in a Christian life, or from biblical point of view that argue if art and the bible is considered acceptable.…
The painting Allegory by Ben Shahn was produced in 1948 and is on display at the Modern Art Museum of Fort Worth. The medium of the painting is tempera on panel. The artist’s style consists of slightly visible brushstrokes with an almost surreal form. There is not much variety of color, but that quality unifies all the separate, differing shapes. Since the same colors are usually placed in every part of the painting, the entire work is balanced.…
James Gillray in 1792 painted a painting called A Voluptuary under the horrors of Digestion. A voluptuary is a person who gives into self indulgence in luxury or gratification of the senses. The Voluptuary painting is of a prince. The prince is sitting down in a chair by a table with a mess of food upon it. Also there are many things on the floor and many empty bottles of various liquids laying around.…
Leonardo da Vinci and Raphael both formed the iconic dyad of the epitome of Renaissance art. In Leonardo da Vinci’s Madonna of the Rocks as well as Raphael’s rendition of da Vinci’s painting Madonna in the Meadow, a religious scene is depicted with Madonna gazes towards an exchange between Saint John and Jesus Christ in infantry as she realizes the grave future that Christ faces. While both paintings feature the same biblical figures in similar fashion, Raphael’s rendering takes on a brighter and lighter tonality and clearer disposition unlike Da Vinci’s more sullen, hazy, and darker painting. Nonetheless, both paintings portray an air of spirituality.…
Also, the mixture of warm colors on top combined with primary and secondary colors give the painting a delicate effect particularly the three green brush strokes as it adds even more mystery to the painting. Furthermore, the diagonal lines that shape the floor and the barriers of the bridge and the curved lines on the water make a combination of energy and endlessness at the same time because the side of where the scared looking person is, looks completely different from where the water, which is what perhaps reflects the degree of anxiety that the scared looking person was suffering in that particular…