In book two, "Of Mortal Children and Immortal Lusts", of Ovid's Metamorphoses we see the story of Jove and Callisto, a story in which Callisto is raped by Jove yet Callisto is seemingly blamed for the said occurrence. Although in the beginning of his writing Ovid implies that Callisto is in fact a victim and not at fault, as the tale progresses that stance seems to change into blaming Callisto for beings raped, this is amplified by both Juno and Diana blaming Callisto for the rape. In the beginning Jove is said to be inspecting the walls of the heavens after a great fire, as he is in Arcadia, Ovid writes the Jove "gets stuck on an Arcadian nymph, Callisto... and passion burns into his deepest marrow" (46; bk. 2, paragraph 5, lines 562-564).…
A man, who could turn into a monster at the night when he sees the moon, is one of the most beautiful dark stories. The reasons behind why I see it a beauty thing that I fundamentally like wolves. They have an awesome eyes, attractive shapes, and amazing sounds. So when we talk about the werewolf it’s will be mixed with the human and wolf shape, that will make him more interesting, especially having big claws gives him a more frightening look. Next, I mostly see the beauty about the stories that tell us about the human turns to monsters and how they become a rippers and criminals.…
In his 1897 gothic novel, Dracula, Bram Stoker defined the modern form of the vampire. His character, Dracula remained popular through the ages, being one of the most popular adaptation source in history. Dracula has created an extraordinary vampire subculture, and an enormous amount of films have been made that feature Count Dracula as it’s main antagonist, or protagonist. However, most adaptations do not include the major characters from the novel, focusing only on the now traditional characteristics of a vampire, created by Stoker. In this essay I will focus on the novel and how different adaptations through the 20th and 21st century differ from it.…
“Freud and gothic literatures are like cousins, both respond to the problems of selfhood and identity, sexuality and pleasure, fear and anxiety, in the nineteenth and twentieth century.” Freud argued that humans are not unified wholes, but internally ruptured and alienated from nature and himself (Martin 41). “The goal of the Freudian analyst, like that of Victor Frankenstein, is to re-member the dismembered parts of our fragmented selves, to cure us by making us whole. To do so he must achieve a delicate balance of scientific objectivity and sympathetic identification, remaining detached from the patient, even as he tries to understand his (or usually her) mind. (Martin 41)…
A princess and a King from different islands, different stories, and the same level of commitment to return home. Moana is the princess of the fictional island Motunui, she is the new leader that knows what's best for her island. Odysseus is the king of Ithaca who is a loyal leader that may appear to be way different from Moana, but you'd be surprised how much their stories can relate. Moana is a young girl who is learning to lead her island, while Odysseus is a strong warrior who has more experience leading an island. Moana and Odysseus, seeming like they would be completely opposite, are actually very similar.…
Roman and Greek mythology consist of multiple interpretations of how the creator, be it the gods or nature, contributed to the birth of the world. These stories draw the backgrounds of the gods and goddesses that govern much of classical mythology. Ovid’s Metamorphoses and Hesiod’s Theogony are two pieces of work that account for how our universe came to be. A comparison of Theogony with Metamorphoses reveals that Hesiod’s creation story portrays the deities as having an omnipresent, powerful function who are at the center of the universe’s creation whereas, in Metamorphoses, the gods do not play a significant role; rather the humans are at the center of the creation.…
In Karen Russell’s fictional book, “St. Lucy’s Home For Girls Raised by Wolves”, she tells the story of how werewolf girls are taught how to adapt to be more human-like. Claudette has truly conformed into the human ways the nuns at St. Lucy’s have taught her. The passage tells the struggles and accomplishments that Claudette faces and that how the rules will make her more human. Within the first three epigraphs, Claudette faces many struggles of lycanthropic culture shock in her educational journey at St. Lucy’s.…
Blom, an assistant professor of psychiatry at the University of Groningen, states that “since 1850, there have been 56 original case descriptions of people who believed they were metamorphosing into an animal. Among them, 13 reports met the criteria for clinical lycanthropy, the medical term for having delusions of being able to turn into a wolf.” (Bahar). The remaining cases were of other delusions, not of actual lycanthropy. This shows that while people may believe or may have believed in the past that they were werewolves, it was just a mental illness, a delusion.…
As the differences, and sometimes similarities, between the two characters and actions of the creature are revealed to readers are introduced to Victor Frankenstein’s understated traits. Bringing out Frankenstein’s traits is the creation of the “monster”. First, it shows the scientific and humanistic mind of Victor…
Ovid’s account of creation in his poem Metamorphoses is believable because it is similar to the Hebrew belief in the Bible. The Hebrew belief is God creates the heavens and the earth. Likewise, in the Metamorphoses, Ovid seems to take the story of creation one step further by explaining in detail each day God creates. For example, in the Bible, God commands “Let the waters under the heaven be gathered together unto one place…and it was so.”…
The poem Metamorphoses, by Ovid, a roman poet, is set in Ancient Greece, at the beginning of time. It is a poem of several greek myths and ideas compacted into one novelistic book. Ovid’s epic was originally written in Latin and later translated into English. In Metamorphoses, Ovid presents love as a large element, to show readers the many emotions and actions love can stir up. Characters strive for love so much, that their logic becomes hazy, making them do things impulsively.…
Hesiod 's Theogony provides theories and stories of the representation of how the earth was developed and how the god 's started their beginnings. Ovid 's point of view provides a different depiction of Hesiod 's demonstration in the Book Metamorphoses as represented in his Theogony, a different depiction of the story The Creation as represented in his cosmogony, and a different depiction of the story The Four Ages, as represented in his cosmology. With all of these differences it is very interesting to find the similarities in the stories of Metamorphoses & Theogony told by the both Ovid and Hesiod. Both Hesiod and Ovid have similarities, as well as differences in their understanding of how the universe and mankind began.…
In “The Lay of the Werewolf,” the author, Marie de France, uses the elements of characterization, theme, and symbolism in order to illustrate the doctrine that…
The king has a theory that this werewolf is a human. Once the king begins to inquire people and a counselor states to him, “Sire, hearken now to me. This beast is always with you, and there is / not one of us all who has not known him for long. He goes in and out / among us, nor has molested any man, neither done wrong or felony / to any, save only to his dame, one only time as we have seen. He has / done evil to this lady, and to that knight, who is now the husband of the dame” (Page 601).…
Ovid, one of Rome’s greatest poets, predicted that his fame would live on forever. So far, his prediction has proven accurate. In “Metamorphoses” Ovid depicts an unfavorable opinion of humanity in a way in which he almost see’s himself as separate from humanity. Ovid’s view of human nature is that it is innocent and predictable. As though it is the behavior of children.…