These two different tools emphasize the contrast Jane means to depict between herself and Blanche. While Jane omits” no hard line” and does not “smooth away no displeasing irregularity” for her own portrait, she paints Blanche to have “harmonious lineaments,” with a “Grecian neck and bust,” and “delicate hand,” omitting “neither diamond ring nor gold bracelet” (168). These different portrayals emphasize how Jane sees herself in the world in Rochester’s eyes compared to Blanche, who is well born and can offer Rochester money and social standing. The titles of the two paintings “Portrait of a Governess, disconnected, poor, and plain” and “Blanche, an accomplished lady of rank” furthers this point. While Blanche’s name is the first word mentioned in the title, Jane replaces her name with “Governess,” deemphasizing her importance as an individual and placing it on her social status. Blache’s social standing allows her an identity within the
These two different tools emphasize the contrast Jane means to depict between herself and Blanche. While Jane omits” no hard line” and does not “smooth away no displeasing irregularity” for her own portrait, she paints Blanche to have “harmonious lineaments,” with a “Grecian neck and bust,” and “delicate hand,” omitting “neither diamond ring nor gold bracelet” (168). These different portrayals emphasize how Jane sees herself in the world in Rochester’s eyes compared to Blanche, who is well born and can offer Rochester money and social standing. The titles of the two paintings “Portrait of a Governess, disconnected, poor, and plain” and “Blanche, an accomplished lady of rank” furthers this point. While Blanche’s name is the first word mentioned in the title, Jane replaces her name with “Governess,” deemphasizing her importance as an individual and placing it on her social status. Blache’s social standing allows her an identity within the