Ana-Luic legend carries from many centuries ago, from a tribe of mischievous group of small people who lived hidden in the forests and valleys of the islands, before the first western settlers arrived. These arcane bloodlines of Ana-Lu, which means the Owl Gods, roamed the old forests, and happen to be about 3 ½ to 5 ½ feet tall, though considered short by many, what they lacked in height and strength they utilized in intelligence, agility and stamina. Like other cultures they enjoyed dancing, singing, and archery, and choice foods were sweet potatoes and fish. Together they became expert farmers who utilized the isolated islands high temperatures, vast array of endemic flora and fauna and many range of environments. Resembling western…
On “Hercules Delivering Prometheus” and its Frame Constraints Many artworks are confined to a frame that limits the viewers’ eye or allows for their interpretation beyond its boundaries. The audience is either forced to analyze the present material or search outside for another meaning. Lespingola’s “Hercules Delivering Prometheus” embodies an abundance of intensity and dynamism that threatens to overcome its constraints, and envelops the viewer in its power. Hence, the bronze statue breaks its figurative frame.…
Depictions of man, gods, and heroes revolved around themes of daily life and emotional states. Despite the humble themes and lifelike portrayals of human beings, Hellenistic artworks were still able to display power and authority through the strong emotions they evoked. The bronze statue of the Seated Boxer and the Portrait Statue of Aule Meteli (Arringatore) both display a great sense of power by capturing a sense of realism and evoking emotions upon the viewer. The Seated Boxer and the Portrait Statue of Aule Meteli both made use of the medium of bronze, allowing way for realistic expressions of the human figure and engagement of the viewers’ attention and emotions.…
The statue of Socrates and the statue of King Leonidas are different representatives for different empires. The statue of King Leonidas looks as if a warrior was getting prepared for battle. He’s standing tall and confident, and is equipped with a sharp sword and a large circular shield. The statue of Socrates looks as if a man is sitting on what looks like a throne planning his attack. The similarities of the two are very conspicuous.…
The cult of Hercules was one of the earliest known at Pompeii, where he was worshipped along with Athena in the Doric Temple. Both deities are represented on fourth-century BC terracotta antefixes from the so-called ‘Triangular Forum’ (actually a sanctuary), whose Doric Temple may have honoured him alongside Athena (Carafa 2011: 95, Figure 5). At Herculaneum, the hero featured in sizeable wall paintings…
Throughout most of my life, all the stories I heard about Hercules were with him being the hero; the protector of the people. The aura it gives off gave everyone hope including me. Maybe they’re just old folktale stories, but if I had to choose I would want Hercules to be the one who protects the people. I mean just imagine having a god walking amongst us. Personally there was nothing I dislikes about the sculpture.…
The sibyls were women that the ancient Greeks believed were oracles. There were many Sibyls, however the Sybil of Cumae is best known. Her cave, where she lived, was located near the town of Cumae, on the western coast of Italy. According to tradition the Sybil was the woman who sold the Sibylline books to the last king of Rome, Tarquinius Priscus. The famous story is in the Roman Antiquities, by Dionysius of Halicarnassus.…
Ancient Greece is considered by many to be the foundation of Western society. It was the birthplace of democracy, Olympic sports, and also many of the styles of art we know and celebrate today. In fact, the Greeks were able to develop a mastery of their art that is still admired and sought after to this day. The Aphrodite of Melos, is an astounding sculpture that exemplifies this skill while carrying a powerful message along with it.…
Why argue that they are Roman and not Greek ? Marvin suggests that all one has to do is look at the actual work to find the answer. For starters, there are only one of each of the figures in the archaeological record. Most Greek statues copied by the Romans appear multiple times in the record and not just in one location. One could also argue that at one point, according to Flippo Corelli that all three figures were originally one single unit. However, this idea cannot be substantiated because of “… extensive editorial improvements…” as Marvin calls it.…
At first glance, the Hercules and the Hydra sculpture is easy to pass by. Located in the outside sculpture garden it stands on a slightly elevated bronze platform, which stands on a bigger, more elevated concrete pedestal that also rests on a larger concrete pedestal that has four embedded lights, each on one corner. The viewing area is large and allows for the audience to view the sculpture up close and far, while still being able circumambulate around the statue at a variety of distances. Because of the vastness of the space around the sculpture, at first glance from the walkway, the sculpture does not seem to be a big piece. However, the closer the proximity towards the sculpture, the bigger the piece seems to get, appearing as if Hercules…
Whereas the only purpose of statue of the Spear Bearer is to so show the idealism of the human body. Both show historical purpose but the statue of Augustus shows more of a purpose because it uses gods as propaganda to link emperors like Augustus to the gods to make them seem immortal to society. These sculptures both show visual symbolism in their cultures as an ideal figure, but Roman art takes Greek ideals of art and applies it to their own works but they add their own amplified message behind the…
The stories of Greek mythology have had many interpretations and many meanings throughout the years. There are also many similarities and differences between stories from the past; Just like in the plays Bacchae and Hippolytus. Both Aphrodite and Dionysus' motivation and behaviors in the plays Bacchae (Dionysus) and Hippolytus (Aphrodite) were similar, in that, they both wanted to restore honor to their names and they used the family to teach the one who disrespected them to show respect to a god/goddess. But on the other hand, the human perceptions of these gods were far different from each other. First off, the motivation for both gods is very similar, they both wanted to make sure they were well respected among the mortals and that the…
Shelley demonstrates the “colossal” size the statue is, is a symbol representing Ramses and the lofty self-promotional royalty and ambition. Shelly also conveys the “legs of stone with no torso”, a “shatter and partially buried head or visage”. IV.…
The Iliad of Homer offers a remarkable amount of valued verses, stories, and books within its entirety, with the encounter between Helen and Aphrodite in lines 3.383-446 being a prime example of one of those. Although a lot can be made from what happens in this short dialogue between Helen and Aphrodite, the two main points of emphasis that were most impactful for me, are the actions of the mortal Helen in her interaction with the highly praised goddess Aphrodite. As well as the second point of emphasis, regarding the human like qualities to which the goddesses exhibit. While there is much more to both the result and action to which these characters encounter, I think these two points of emphasis are significant to the outcome to which the…
Therefore, comparing the temple will first take to their form, and we shall see that they are all of rock and also utilizing the Doric stylistic design. Secondly, their usage is another aspect of their similarities, because they were both primarily build as temples and dedicated to gods, Athena for the Parthenon and All Roman gods for the Pantheon (Diffen.com, n.d.). Further, Diffen (n.d.) bring out the interesting fact that they have both one time of their history been used as churches.…