The Initial F uses its three-dimensionality to create space, and depth, even though there seem to have too many events happening, Marende use circle frames to separate the different messages. In terms of texture, the Initial F has a clean and polished shine to the surface of the wood, which greatly reflect on the neoclassical concept of a clean work. In comparison, Gauguin’s two-dimensional painting, have closed up on the man at front, which pulls the audience closer and stretches everything further back. The brushstrokes on the painting are also too thick, to the point the objects themselves can be felt; as if they are
The Initial F uses its three-dimensionality to create space, and depth, even though there seem to have too many events happening, Marende use circle frames to separate the different messages. In terms of texture, the Initial F has a clean and polished shine to the surface of the wood, which greatly reflect on the neoclassical concept of a clean work. In comparison, Gauguin’s two-dimensional painting, have closed up on the man at front, which pulls the audience closer and stretches everything further back. The brushstrokes on the painting are also too thick, to the point the objects themselves can be felt; as if they are