They both use many similes, whether they are describing the birds as separate things or not. To Audubon the birds resemble a “vast column” and a “gigantic serpent”. Dillard describes the birds as “transparent and whirling, like smoke”, “like an eye”, and “loosened like a skein”. They both use heavy imagery when describing the birds. An example of this imagery is when Audubon says, “the light of the noon-day was obscured as by and eclipse; the dung fell in spots, unlike melting flakes of snow; and the continued buzz of wings had a tendency to lull my senses to repose.” Dillard uses imagery dramatically throughout her passage, “Could tiny birds be sifting through me right now, birds winging through the gaps between my cells, touching nothing, but quickening my tissues, fleet?” Dillard and Audubon understand the beauty of the mystic
They both use many similes, whether they are describing the birds as separate things or not. To Audubon the birds resemble a “vast column” and a “gigantic serpent”. Dillard describes the birds as “transparent and whirling, like smoke”, “like an eye”, and “loosened like a skein”. They both use heavy imagery when describing the birds. An example of this imagery is when Audubon says, “the light of the noon-day was obscured as by and eclipse; the dung fell in spots, unlike melting flakes of snow; and the continued buzz of wings had a tendency to lull my senses to repose.” Dillard uses imagery dramatically throughout her passage, “Could tiny birds be sifting through me right now, birds winging through the gaps between my cells, touching nothing, but quickening my tissues, fleet?” Dillard and Audubon understand the beauty of the mystic