What Is Community-Based Arts?

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The way creative industries rooted in western economies could drive smaller “industries”, like rural communities for instance, to use creativity to ‘shape people’s livelihood’(Collective Action and Property Rights fro Poverty Reduction, p. 328) towards a creation of collectives that would perhaps coalesced together ‘update’ their environment. At a community level, rural Cambodia’s system, as mentioned previously, plods along of cultural bridges, in fact, one of the most serious problem is that many ‘golden’ investments are offered in big cultural centres, such as Phnom Pen or Sihanoukville, but surely not enough proposal are offered to the remaining 80% of the population that live in poor rural communities spread around the country. Therefore …show more content…
The rural community-based might have a lower impact on a bigger scale but they deeply influence people that experience it. In this terms a for-profit or nonprofit art community, in its wider meaning, has the power to create relationships between social issues at local level and production (in form of art or non monetary values). Engaging communities within this parameters allow people benefit of a regeneration of the space (a thoughtful design or architectures) and benefit of the exchange of knowledge that would follow the business and interaction with a diverse group of people. This would finally lead to new connection and information sharing open to art tourists from other countries or curious visitors from near by …show more content…
The awareness on the topic that was raised in this paper is providing the reader with knowledge that would hopefully lead him or other people to enlighten those social aspects that many time in today’s society are hidden by other political concerns. After the examination it is worth to say that planning creative business in developing countries gives a decent chance to the people representing the majority of the population in the world to conceptually escape their everyday shakes, providing poor children education and their parents with knowledge that they might not have access to. Arts as a method for innovation and as a personal interest, already inspire people and supply them with humanitarian designs. That has to be accomplish more and more through founding communities and designing programs that engages much more people and can affect them for a longer term, through a self-sustained circle of life. However much still have to be defined and deeply explored in oder to provide the reader with a well informed report. The method I used to explore and criticise what I have learned through out my research can be reused for other work of social, politic or artistic concern. Several methodologies have to be consider for future researches but the case studies explored in this

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