If Finkel excludes Ben’s interruptions in this dialogue, it will not be as realistic and vivid as it is. Just details that may look simple in a dialogue can determine whether a part of the story is interesting or not. If the dialogues a story has is just a stack of information, it may bore the audience. Considering long and massive dialogues can distract, tire, and confuse the readers, a writer must manage and organize the dialogues in a reasonable way. Even with great physical details descriptions and dialogues, the writing is still not a well-structured story. A story is a person; its plot will be the person’s bones. If the plot is a mess, then the person will be distorted. His neck will be tangled, his legs will be unsupportive and he may not have any arm. Such person may not be able to live, and such story will not be good. To make a story great, the writer must offer a well-orchestrated plot to his/her story. I think there are two parts to a plot, the idea, and the
If Finkel excludes Ben’s interruptions in this dialogue, it will not be as realistic and vivid as it is. Just details that may look simple in a dialogue can determine whether a part of the story is interesting or not. If the dialogues a story has is just a stack of information, it may bore the audience. Considering long and massive dialogues can distract, tire, and confuse the readers, a writer must manage and organize the dialogues in a reasonable way. Even with great physical details descriptions and dialogues, the writing is still not a well-structured story. A story is a person; its plot will be the person’s bones. If the plot is a mess, then the person will be distorted. His neck will be tangled, his legs will be unsupportive and he may not have any arm. Such person may not be able to live, and such story will not be good. To make a story great, the writer must offer a well-orchestrated plot to his/her story. I think there are two parts to a plot, the idea, and the