Lubitsch re-accentuates his embrace of economic reality over fragile romance by letting Lily and Gaston’s relationship which is based on their mutual understanding of reality win over Mme. Colet and Gaston’s irrational romance. After Mme. Colet finds out Gaston’s true identity and Gaston admits that he has robbed her, she asks Gaston “Why did you take the money?” Gaston remains silent. He has realized that she has no idea about the outside world which he has long been struggling in, and his connection with Mme. Colet is only an illusion after all. On the contrary, Lily shares Gaston’s view of the real world, as we know in the film that she is also a crook. Additionally, in the final scene, we see Gaston and Lily pickpocketing each other in the car ride. Different from Mme. Colet’s lack of understanding of Gaston’s need to steal, we see a mutual understanding between Lily and Gaston vis-à-vis their trickeries. Lubitsch also shows Lily and Gaston in a moving car, contrasting the contained bedroom scene of Gaston and Mme. Colet earlier. This contrast makes the final screen more dynamic, suggesting to us a promising future between Gaston and Lily and reveals Lubitsch’s emphasis on reality over
Lubitsch re-accentuates his embrace of economic reality over fragile romance by letting Lily and Gaston’s relationship which is based on their mutual understanding of reality win over Mme. Colet and Gaston’s irrational romance. After Mme. Colet finds out Gaston’s true identity and Gaston admits that he has robbed her, she asks Gaston “Why did you take the money?” Gaston remains silent. He has realized that she has no idea about the outside world which he has long been struggling in, and his connection with Mme. Colet is only an illusion after all. On the contrary, Lily shares Gaston’s view of the real world, as we know in the film that she is also a crook. Additionally, in the final scene, we see Gaston and Lily pickpocketing each other in the car ride. Different from Mme. Colet’s lack of understanding of Gaston’s need to steal, we see a mutual understanding between Lily and Gaston vis-à-vis their trickeries. Lubitsch also shows Lily and Gaston in a moving car, contrasting the contained bedroom scene of Gaston and Mme. Colet earlier. This contrast makes the final screen more dynamic, suggesting to us a promising future between Gaston and Lily and reveals Lubitsch’s emphasis on reality over