As an opener, Cole references the way the subculture was born out of dissatisfaction with the way ‘punk had become a parody of itself’ (Cole, 2000) that, once adopted by the mainstream, began to alienate ‘many of those who were at first attracted to it’s embracing of difference and individuality’ (Cole, 2000). In its beginnings, ‘punk’s deliberate association with deviant sexualities made it relevant to many LGBTQ youth’ …show more content…
Someone whose relevance outlived that of the underground scene that birthed him. Although any ‘sort of credible New Romantic movement’ was finished by the time his band debuted on Top Of The Pops in nineteen-eight-two, George’s appearance still provoked debate. ‘Is it a boy? Is it a girl?’ the tabloids cried out. Despite the initial shock, their song ‘Do You Really Want To Hurt Me?’ would cement the one-time-cloakroom-attendant as the Blitz club’s ‘most famous son’. He would go on to establish himself ‘as one of the decade’s…striking and charismatic icons’ (Evans, 2008). Whilst wearing ‘a lot of makeup’ and singing about his same-sex relationship with Culture Club drummer, Jon Moss (the Guardian,