Classical Cutting In The Film 'Rear Window' By Alfred Hitchcock

Decent Essays
In 1954, Alfred Hitchcock directed a film which was named Rear Window. In this movie the main characters were Lisa Carol Fremont, L.B. Jeff, and Detective Doyle. L.B. Jeff was played by James Stewart is a man who is confined to his apartment and his only view of the world in looking out his window in his apartment. Lisa Carol Fremont was played by Grace Kelly, she was a model who showed interest in Jeff, but could not get his attention. Detective lieutenant Doyle was played by Wendell Corey was skeptical of Jeff accusing his neighbor of murder until the very end when it was made clear. Throughout the film, suspense and drama is shown by displaying perfect examples of classical cutting and cutting the continuity.
Classical cutting is a style

Related Documents

  • Improved Essays

    Hitchcock’s film generates the suspense and curiosity in Psycho. He demonstrates in various and specific ways that we would not expect to happen. It has happened to be one of the biggest hits ever in the 60’s. He has been one of the first people to introduce many things in the film industry, especially the toilet scene. In a way Hitchcock makes us want more and it gets us to anticipate and to expect for more things to happen.…

    • 356 Words
    • 2 Pages
    Improved Essays
  • Superior Essays

    1. Summary: The film Gone with the Wind starts before the outbreak of the American Civil War, Scarlett lives at Tara with her parents and two sisters. She finds out Ashley, the man she loves, is engaged to Melanie. She decides to reveal her feeling to him in private, but he rejects her by pointing out their incompatibility.…

    • 2229 Words
    • 9 Pages
    Superior Essays
  • Great Essays

    The Role of Anonymity and the Justification of Voyeurism in the Apartment-Dwelling World of Rear Window voyeurism noun | voy•eur•ism | \ vwä-ˈyər-ˌi-zəm , vȯi-ˈər- \ a: the practice of obtaining sexual gratification from observing others b: the practice of taking pleasure in observing something private, sordid, or scandalous Do you know the person who lives next door to you? You probably saw them a couple of times in the elevator or the parking lot, maybe even chatted with them. What was their name again? Neither of you care enough to remember, thus, forming the notion of paradoxical anonymity of the 21st century.…

    • 1670 Words
    • 7 Pages
    Great Essays
  • Improved Essays

    Laura Mulvey states in male controlled society “the pleasure in looking is split between the active-male and passive-female.” this is echoed in the dominant forms in film. Classic Hollywood narratives traditionally focus on a male protagonist with an assumed male viewer. Men are presented as controlling characters and treat women as docile objects of desire; this applies to both on screen and to viewers. Women are objectified in relation to the male gaze, showcasing women as an image and men as owner of what is to be viewed.…

    • 748 Words
    • 3 Pages
    Improved Essays
  • Superior Essays

    His two movies rear window (1954) and shadow of a doubt (1943) show clear links and examples to his distinctive style. Hitchcock uses a number of recurring theme and techniques which are easily recognisable. One theme is 'voyeurism' in multiple films. In rear window the film is based off Jeff peering into the lives of his neighbours without them suspecting a thing.…

    • 823 Words
    • 4 Pages
    Superior Essays
  • Improved Essays

    In Alfred Hitchcock’s Rear Window (1954) is a story about a photographer on his last week of recuperation from his last assignment where he was severely injured on the race track taking a picture of the wreckage. While recuperating Jeff has come into the deplorable habit of people watching his neighbors outside his rear view window, while watching he suspects one of his neighbors to have murdered his wife. Not being able to provide an eye witness account to what he believes happened he has his nurse stella and fiance to be Lisa he gathers enough probable cause to arrest him. The film focuses on the theme of voyeurism and throughout the film you can see how the camera adds to this effect. Another theme intertwined with it also is romantic involvement…

    • 1315 Words
    • 5 Pages
    Improved Essays
  • Superior Essays

    Citizen Kane is one of the main movies as to its filmmaking impacts. Director Orson Welles and Cinematographer Gregg Toland were massively inventive in use of camera shots, angles, and lights. Moreover, they utilize the narrative and Dramatic elements in a creative way, describing a story of one individual in many ways. All in all, Citizen Kane opened interesting platform in the filmmaking and techniques. Charles Foster Kane was a man who had everything in his life.…

    • 1350 Words
    • 6 Pages
    Superior Essays
  • Superior Essays

    For example, are the editing that took place pairing the husband on the phone, (shots 16 and 21) and the wife on the phone (shots 3), were a cross-cut. This means the audience was able to see two scenes happening in essentially the same temporal sequence, but very different spaces. While the cross-cutting between husband and wife helped mostly the coherency of the film, each new cut did add suspense because we did not know when he was going to shoot himself. More significantly, the cross-cutting of the friend driving to the office to save the husband, like shots 41 and 51, and the shots where the husband is on the phone, like shots 16 and 21, added a great deal of suspense to the sequence because the viewer wonders if the friend is going to make it on…

    • 1282 Words
    • 6 Pages
    Superior Essays
  • Improved Essays

    ‘Rear Window shows how easy it is to be deceived by appearances.’ Discuss. Hitchcock’s critically acclaimed thriller ‘Rear Window’ details the life of 1950s New York - where affluence, materialism and patriarchy were valued. The deceit that plagues the plot of the story, strips bare the constructed facades that underpin the film and as a result, highlights how easy it is to be deceived by appearances. Although innocent in nature, these facades act as the foundations for LB ‘jeff’ Jefferies’ fragmented assumptions of women.…

    • 1121 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Psycho (1960) by Alfred Hitchcock thrills the audience with its suspense, and creeps the audience with the mind of Norman Bates. Often times in the film, what makes a scene scary is not with what is shown, but what is implied. The viewers often know more than the characters themselves, full of suspense and anticipation to the fate of each characters. Psycho, being a psychological thriller, ends up having much of the characters having something to hide from other characters, as well as the viewers.…

    • 1850 Words
    • 8 Pages
    Improved Essays
  • Improved Essays

    Orson Welles’ first film, “Citizen Kane,” richly realizes the full potential of excellent craftsmanship. Every perceivable element of cinema is expertly utilized to drive the story, themes and tones that “Citizen Kane” present. This is especially apparent in the scene that follows Susan leaving Kane. This scene’s manipulation of mise-en-scène, editing and sound bring together all of Welles’ ideas and drive them beyond the finish line. Mise en scène is what appears in the frame, what the viewer sees.…

    • 1326 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    Throughout the film industry, Alfred Hitchcock’s film Psycho has revolutionized the horror genre with his ways of merging the obvious with the mysterious. Alfred Hitchcock, ‘Master of Suspense,’ is known for his filming techniques which made his film stand out compared to other horror films during his period. Hitchcock used these techniques throughout the film Psycho to allow the viewers to get an insight of what is happening in the film. One of the most important scenes, where Hitchcock used several of techniques to reveal the film, is the parlor scene. The shot-by-shot analysis of the parlor scene is characterized by dialogue, lighting, symbols, and the four-quadrant rule.…

    • 1373 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    Alfred Hitchcock was a film director from England who moved the United States in 1939. He was famously known as the “Master of Suspense”. Hitchcock’s golden years of his cinema career were from the 1950’s to the 1960’s. During this time, he made various famous films, such as Vertigo, North by the Northwest, and Psycho. When we compare these films it’s hard to find something they might have in common.…

    • 939 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The director utilized cuts for transitions rather than more gradual transition changes. Cuts create a straight forward meaning that goes right to the point, which accentuates the workers one track mind. The pace workers’ is slow, especially when they are changing shifts, in order to reflect the bleak attitudes of workers as they drag their feet to and from work in shifts every day. However, the gears shown in the beginning of the sequence are fast paced with a momentum that cannot be stopped, revealing the workers’ inability to stop their daily schedules and…

    • 752 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Photography is the key element of mise en scene that determines how an audience will interpret the visual information in film. Orson Welles used the photography of his 1941 film Citizen Kane to emphasize aspects of the film he wanted viewers to focus on, and to remove non-essential information from the frame. This was accomplished through various camera tequniques including manipulation of angles and proxemity. Approaching the end of the film there is a scene just after Susan (played by Dorothy Comingmore) has left her husband Charles Foster Kane (played by Orson Welles), where he proceeds to trash her bedroom in a fit of anger. As Kane stumbles around the room sweeping items onto the floor and throwing things into walls, (Welles 1:48:25-50:27),…

    • 734 Words
    • 3 Pages
    Improved Essays