Rather than actually experience the internal splintering caused by abjectness, Lovelace instead pretends to suffer through it directly before her and Clarissa is unimpressed. His repeated kneeling and begging does not appease her anymore and given the first chance she gets she flees his side back to her chambers in the form of an ultimate rejection and casting-out. Lovelace, smarting from the spurn, calls himself a "…reptile kneeler, the despicable slave…" mocking Clarissa's rejection of him in such a faux-broken position and highlighting the fact that he knows she would cut him out of her life entirely like a rotting limb if given half an opportunity (512). Lovelace repeatedly performs like this in front of Clarissa, making himself appear pitiful and thus nonthreatening and forgivable, which she allows to succeed repeatedly until his behavior can no longer be excused by flowery language and elaborate
Rather than actually experience the internal splintering caused by abjectness, Lovelace instead pretends to suffer through it directly before her and Clarissa is unimpressed. His repeated kneeling and begging does not appease her anymore and given the first chance she gets she flees his side back to her chambers in the form of an ultimate rejection and casting-out. Lovelace, smarting from the spurn, calls himself a "…reptile kneeler, the despicable slave…" mocking Clarissa's rejection of him in such a faux-broken position and highlighting the fact that he knows she would cut him out of her life entirely like a rotting limb if given half an opportunity (512). Lovelace repeatedly performs like this in front of Clarissa, making himself appear pitiful and thus nonthreatening and forgivable, which she allows to succeed repeatedly until his behavior can no longer be excused by flowery language and elaborate