It is the desire for connectedness- for no separation between oneself and an object, “a feeling of indissoluble connection, of belonging inseparably to the external world as a whole” (Freud 9). It is also a desire for a sense of belonging and control, “and the ideational content of belonging to it would be precisely the notion of limitless extension and oneness with the universe-the same feeling as that described by my friend as ‘oceanic’” (Freud 14). This act of searching for the Oceanic Feeling is something that Freud would argue all humans attempt to do, and the fictitious character Hamlet is no exception. There are three more Freudian ideas that resonate throughout Hamlet: the Super-ego, Thanatos, and aggression. The Super-ego is
It is the desire for connectedness- for no separation between oneself and an object, “a feeling of indissoluble connection, of belonging inseparably to the external world as a whole” (Freud 9). It is also a desire for a sense of belonging and control, “and the ideational content of belonging to it would be precisely the notion of limitless extension and oneness with the universe-the same feeling as that described by my friend as ‘oceanic’” (Freud 14). This act of searching for the Oceanic Feeling is something that Freud would argue all humans attempt to do, and the fictitious character Hamlet is no exception. There are three more Freudian ideas that resonate throughout Hamlet: the Super-ego, Thanatos, and aggression. The Super-ego is