He tells the audience “I’m loco in the cabeza. I’m your postmodern Mexican Hamburger Helper” (Montoya, Ricardo, and Herbert 94). Montoya’s monologue shows his mental breakdown and self-degrading of his identity because he states that he’s crazy and that he’s the stereotypical hamburger man. This explains why Chicanos are confused; Chicanos are confused because they are confined to the stereotypes that society labels them. By accepting and acknowledging these identities, Montoya shows that he could face realities’ perception of Chicanos and that by doing so, it allows Montoya the possibility of change. Montoya then asks, “Haven’t you ever seen a multicultural nightmare coming unglued right before your very eyes, man?”, which shows that Chicano is not simply Mexican American, but it is a mixture of many cultures. This question opens up the Chicano identity for reevaluation which makes the audience, specifically the Chicanos (because “Chicano on the Storm” directly addresses Chicanos in the title of the monologue), think about their own identity. As Montoya talks about all these different identities, the camera focuses on Montoya and different aspects of him to illustrate the confusion and rage of his
He tells the audience “I’m loco in the cabeza. I’m your postmodern Mexican Hamburger Helper” (Montoya, Ricardo, and Herbert 94). Montoya’s monologue shows his mental breakdown and self-degrading of his identity because he states that he’s crazy and that he’s the stereotypical hamburger man. This explains why Chicanos are confused; Chicanos are confused because they are confined to the stereotypes that society labels them. By accepting and acknowledging these identities, Montoya shows that he could face realities’ perception of Chicanos and that by doing so, it allows Montoya the possibility of change. Montoya then asks, “Haven’t you ever seen a multicultural nightmare coming unglued right before your very eyes, man?”, which shows that Chicano is not simply Mexican American, but it is a mixture of many cultures. This question opens up the Chicano identity for reevaluation which makes the audience, specifically the Chicanos (because “Chicano on the Storm” directly addresses Chicanos in the title of the monologue), think about their own identity. As Montoya talks about all these different identities, the camera focuses on Montoya and different aspects of him to illustrate the confusion and rage of his