From his attire, the audience observe that Lord Caversham is stubbornly influenced by social strictures dissimilarly to Lord Goring who through stage directions in Act 1 Scene 1C, is “A flawless dandy” “fond of being misunderstood” and that “He is clever” (1.1C). Lord Caversham complains about his “good-for-nothing young son” (1.1A) indicating his frustration from Lord Goring’s lack of deference and concern for social didactics where in Act 3 Scene 2, Lord Goring ignores his demands for him to “high-time for you to get married” (3.2) exclaiming “I must have not any serious conversation after seven” (3.2). This reveals that Lord Goring is not easily controlled other characters, arousing the audience’s curiosity. Hence, through the foil character of Lord Caversham as a conservative Englishman, Wilde compares Lord Goring’s apathy towards social dictums as insinuated from Aestheticism to Lord Caversham, heavily influenced by Victorian English customs, as he disregards his father’s paternal
From his attire, the audience observe that Lord Caversham is stubbornly influenced by social strictures dissimilarly to Lord Goring who through stage directions in Act 1 Scene 1C, is “A flawless dandy” “fond of being misunderstood” and that “He is clever” (1.1C). Lord Caversham complains about his “good-for-nothing young son” (1.1A) indicating his frustration from Lord Goring’s lack of deference and concern for social didactics where in Act 3 Scene 2, Lord Goring ignores his demands for him to “high-time for you to get married” (3.2) exclaiming “I must have not any serious conversation after seven” (3.2). This reveals that Lord Goring is not easily controlled other characters, arousing the audience’s curiosity. Hence, through the foil character of Lord Caversham as a conservative Englishman, Wilde compares Lord Goring’s apathy towards social dictums as insinuated from Aestheticism to Lord Caversham, heavily influenced by Victorian English customs, as he disregards his father’s paternal