Her style was thought to be strictly “salon style” music, which Ross indicates often came “…with implications of the sentimental and the second rate” (Ross, 91), but says later that “Ironically, the composer most celebrated for her [Chaminade] ‘musique du salon’ was no salon composer” (Ross, 100), because of her success, internationally and domestic, but may have been thought of that way due to her gender and propensity to write and perform for
Her style was thought to be strictly “salon style” music, which Ross indicates often came “…with implications of the sentimental and the second rate” (Ross, 91), but says later that “Ironically, the composer most celebrated for her [Chaminade] ‘musique du salon’ was no salon composer” (Ross, 100), because of her success, internationally and domestic, but may have been thought of that way due to her gender and propensity to write and perform for