It is revealed that it was he who sent the now dead priest to try and speak with natives, and so the death of his fellow priest weighs heavy on his conscience. He soon finds himself surrounded by natives, all with weapons in their hands. Gabriel continues to play his oboe, and the music captivates the native people. They lead him towards their village, where screams stop them in their tracks. A local slave trader, Rodrigo Mendoza (played by Rodrigo Mendoza) has captured two native men and killed another. He and Gabriel stare at one another, and the viewers see two different sides of a spectrum. One man represents the worst parts of European Colonialism, while the other portrays the lesser evil of a paternalist figure of the
It is revealed that it was he who sent the now dead priest to try and speak with natives, and so the death of his fellow priest weighs heavy on his conscience. He soon finds himself surrounded by natives, all with weapons in their hands. Gabriel continues to play his oboe, and the music captivates the native people. They lead him towards their village, where screams stop them in their tracks. A local slave trader, Rodrigo Mendoza (played by Rodrigo Mendoza) has captured two native men and killed another. He and Gabriel stare at one another, and the viewers see two different sides of a spectrum. One man represents the worst parts of European Colonialism, while the other portrays the lesser evil of a paternalist figure of the