In this sense the cantata replaced the sacred concerto in many early eighteenth century churches. Lutheran cantatas were different from sacred concertos in that they consisted of several distinct movements usually conceded by passages of recitative and were usually always in German (Hill 454). The cantata did not tell a story nor did it literally draw text from Biblical sources like the sacred concerto, instead each movement reflected upon some aspect of the religious sentiment or holiday at hand. Bach was one of the largest composers of cantatas and his best known cantata was “Awake, A voice is Calling Us” (Anderson 196). In addition to the cantata and other compositions forms for vocals, there were also
In this sense the cantata replaced the sacred concerto in many early eighteenth century churches. Lutheran cantatas were different from sacred concertos in that they consisted of several distinct movements usually conceded by passages of recitative and were usually always in German (Hill 454). The cantata did not tell a story nor did it literally draw text from Biblical sources like the sacred concerto, instead each movement reflected upon some aspect of the religious sentiment or holiday at hand. Bach was one of the largest composers of cantatas and his best known cantata was “Awake, A voice is Calling Us” (Anderson 196). In addition to the cantata and other compositions forms for vocals, there were also