Pages 305-307 → Film The day was fading into a soft sun-shot haze, pricked here and there by a yellow electric light, and passers were rare in the little square into which they had turned. Dallas stopped again, and looked up. "It must be here," he said, slipping his arm through his father 's with a movement from which Archer 's shyness did not shrink; and they stood together looking up at the house. It was a modern building, without distinctive character, but many-windowed, and pleasantly balconied up its wide cream-coloured front. On one of the upper balconies, which hung well above the rounded tops of the horse-chestnuts in the square, the awnings were still lowered, as though the sun had just left it.…
The angles he shows to the viewer cause the film to be more suspenseful. For example, the camera angles allow the viewer to know more than the main character. The screen repeatedly shows Alma with the other dolls behind her, and whoever watches may see how the dolls’ eyes move and follow her across the shop. Blaas causes the viewer to be on edge because he or she knows that something horrific will happen to the character from the prior knowledge that the film, Alma, is of the horror genre. Another instance is how the camera follows the doll and comes back to it many times throughout the duration of the film.…
GOOD WILL HUNTING The movie ‘Good Will Hunting’ directed by Gus Van Sant, is a movie about a guy called Will Hunting and his journey discovering who he really is. He could not do this on his own, without the help of his counselor Sean Maguire. Gus Van Sant skillfully uses a variety of film techniques to get across an idea. One of the most important scenes in ‘Good Will Hunting’ is the park scene.…
Aesthetics Analysis of No Country for Old Men No Country for Old Men is a movie adapted from Cormac McCarthy’s novel. Joel and Ethan Coen are the producers of the film, and it is hailed as the best film ever produced by the Coen brothers. The movie brings a new level of seriousness, a subtler touch, and an unbelievable depth and breadth of the vast sense of humanity to the Coen universe. In adapting the McCarthy's novel, the two brothers scaled the visual vocabulary in the film to match the bare-bones prose of the novel's author.…
In the beginning, Buffy is teary eyed from crying and then the camera cuts to a blurry figure that moves towards the camera and focuses in on paramedic 1. This puts the viewers in Buffy’s perspective as if they blurry image is us crying…
Carol Reed’s 1949 film, The Third Man, is a cinematic masterpiece that dives deep into the layers of what it means to be human. The story takes place in post war Vienna, where Joseph Cotton’s character, Holly Martins, travels to reconnect with his longtime pal, Harry Lime, played by Orson Welles (www.imdb.com). Holly arrives in Vienna only to find that his pal Harry is presumed dead – but something about his death just doesn’t add up. The story follows Holly on a journey for the truth while the structural aspect provides an abstract reflection of the struggle between good vs. evil. The multi-dimensional use of location, angles and lighting correlates with the theme of the story, the complexity of good vs. evil or dark vs. light, in human nature.…
An example of this type of shot is while Ellen and Cathy are discussing Edgar’s marriage proposal in the kitchen, and Heathcliff is hidden behind a wall in the doorway of the pantry adjacent to kitchen listening. The angle shot from the pantry simultaneously captures the reactions of not only Heathcliff but Ellen and Cathy as well. The cinematographers of the classic movie era captured movies in such a way that little action was necessary to communicate the…
Usually when this is not used it creates an awkward sense for the viewer. This is used in the scene because it is more comfortable on the viewer when they are watching the…
“Never rat on your friends, and always keep your mouth shut.” Known for his infamous creations of film which usually have a depiction of violence and liberal use of profanity, Martin Scorsese has had an overwhelming abundance of success in the film industry. In this essay I will discuss how the director Martin Scorsese uses certain techniques such as long tracking shots, freeze frames and the structure of his films in the films like “Goodfellas” and “Casino”. I will discuss and analyse these cinematic techniques and explain how this is then used to engage his audience to an extent that keeps them eager to watch.…
As the movie continue you are able to see various scene that showed confrontation between the different racial groups one of the scene that stood out to me is when Buggin’ Out (Mookie’s friend) a character who is renown for speaking out his mind. Notices all the pictures at Sal’s pizzeria are of famous Italian. This angers him and he chooses to confront the owner (Sal). Since Sal is Italian is, he lets Buggin’out know that it is pizzeria and he can hang up whatever picture he chooses, but Buggin’ out demands that Sal puts up some black people on the wall due to the fact that the pizzeria is in a black neighbourhood but Sal refuses. This causes an altercation between the two of which end with Buggin’out threating to boycott Sal’s Pizzeria and…
The use of close up and head-shot techniques assist in capturing a direct point of view of both character’s body language and facial expressions. These expressions are manufactured to portray a dismal, intimate moment to pull at the audience 's heart strings. Moreover, when Sarah-Jane’s coworker enters she immediately assumes Annie is the maid. Annie identifies herself as Sarah-Janes nanny. Annie’s race allows her to “perform in order to sustain her daughter’s deception” and performance of a white woman.…
Directors use many cinematic elements and techniques to give their movies a mood or feeling but director Tim Burton does this especially well in his movies Edward Scissorhands and Charlie and the Chocolate Factory. Tim Burton uses many cinematic techniques in his films but the one technique that he does extraordinary in his films are camera angles. In his films, Tim Burton effectively uses the cinematic element of camera angles to create a sense of mood and feeling based on the type of camera he uses. In Tim Burton’s movie Edward Scissorhands, he uses low camera angles effectively to give a menacing and powerful look to his subjects.…
It makes the reader feel the emotions that the main character is facing even though they are not always good…
Depth of focus allows us to see specific expressions during the closing argument. This builds a more dramatic scene for the viewer. Graphics and fast-lambent cinematography at the beginning of the film; the scene then going into the rape of Tonya Hailey, is for the purpose of getting the hearts of the audience to sympathize with the…
In John Berger’s book Understanding a Photograph, he argues that there is a distinct discontinuity between an individual viewing a photo, and the actual photo. A picture solely preserves a single moment in time, and while they often act to tell a story, the medium cannot be fully interpreted without knowing the story that surrounds it. Although there is a definite connection between a photograph and the narrative that corresponds with it, the photo is only a visual aid for the story; it does not tell us everything like the written piece does. I agree with Berger’s argument that photographs can shape the written story that is told about a single character through invoking various responses, emotions, feelings, and interpretations between the…