She goes from this quiet, obedient ‘wife’ of Iago to a headstrong woman, reflecting the Desdemona of Act I. She provides a feminist voice in Othello, as well as, demonstrating a cynical attitude towards men. We see proof of this on page 78, Act III-Scene IV, lines 116-119: “ 'Tis not a year or two shows us a man. They are all but stomachs, and we all but food; They eat us hungerly, and when they are full, They belch us.” Emilia is very aware of her, and other women’s, place underneath men.…
Emilia the wife of Iago was a victim of cruelty from her own husband. It has always been taught to young girls to please their husbands and Emilia knew this to be true. When the opportunity came to please her abusive husband she chose to obey. In the end, her situation did not change and although her dying words spoke of how she had a right to speak and voice her opinions despite what her husband told her, Emilia died as a victim of cruelty. Emilia’s defiant nature in the end shows the reader that Shakespeare encourages the breaking of the glass ceiling in the early 17th century when Othello was published.…
Though less emphasis and attention is placed on Iago and Emilia’s relationship, it is of equal importance as the previous one, contributing to the play while also representing a starkly different marriage. While the formerly mentioned marriage was modern and passionate, the one that Iago and Emilia shared was traditional and unloving. Between them was an empty love, where there is nothing but commitment (Sternberg). However, it was because of this absolute commitment they had for each other that they completely trusted one another. Iago does not hide the fact that he dislikes women and finds many situations in which he can blame or insult them (II.1.115-120).…
Iago fully confesses that he is an evil man inside him thus also; he makes evil plans and seeks to get revenge from any stolen ground (Othello and Desdemona’s relationship) that he dislikes. Desedemona’s old lover Roderigo claims that he is a “wretched villain” in his life due to the fact that he dislikes Othello very much and also for the fact that he is Iago’s sidekick (Act 5, Scene 1, line 41). Roderigo is a villain in the book ‘Othello” because he believes that he has been betrayed by Desdemona, as he is Desdemona’s original lover but has lost his positron as a lover due to Othello. Lastly, Iago’s wife Emilia has done secret work for Iago including the fact that she stole the ‘handkerchief’ from Othello’s personal property and plotted a quick evil game with Iago (Act3, Scene3, and line 314). Emilia steals the handkerchief away from Desdemona and passes it on to Iago resulting a new game to start by Iago which will bring rath to the charming and shineful couple (Othello and Desdemona).…
(V. ii. 38-39) This quote shows how she lies to Emilia by not telling her about Othello’s involvement with her death. Her innocence causes her to still find the good in Othello even though he murders…
Emilia is Desdemona’s loyal servant and stays by her side through all Othello puts her through. This shows even when the women come together to speak out, their voices often remain unheard .Othello does not even take the time to listen to their reasoning, he still chooses to believe Iago over the women “Desdemona is helplessly passive. She can do nothing whatever. She cannot retaliate even in speech….She…
Even though Iago had been married to Emilia for years, he still shows no connection to his own wife, constantly mocking her and using her for his schemes as well. While Iago simply makes vulgar jokes about women, and calls Emilia a “foolish wife” (3.3.313), Shakespeare uses the affectionate relationship of Desdemona and Othello in contrast to theirs in order to emphasize the fact that Iago never exhibits any affection for her, only criticism. His disconnection is set in stone when in Act V Scene 2, Iago stabs and kills her without a second thought when she gets in his way by revealing his scheme. In contrast, Emilia has always felt a bit of a duty to her husband, saying "I nothing but to please his fantasy," (3.3.310) revealing that she cares for him and thus to her, they were in fact somewhat close, This means there must have been some bonding that was unable to reach Iago, but could in fact affect a sound person. Iago again displays his lack of emotional connection when he cold-bloodedly kills Roderigo.…
Later in the play Iago accuses Othello of sleeping with his wife, Emilia. Iago then states that he hates Othello and that he must get even, wife for wife; “I hate the Moor, and it is thought abroad, that 'twixt my sheets 'has done my office. I know not if 't be true, But I, for mere suspicion in that kind, Will do as if for surety” (Act 1, scene 3 lines 329-433). This quote shows just the person that Iago is. Even though he knows…
He fears the exposure of his true character and will do all he possibly can to keep people thinking of him as an honest man. At first, Iago threatens Emilia not to say another word about the handkerchief that he uses as part of the plan to destroy Othello. He tells Emilia to “Be wise and get you home.” (Act V.ii.221), Emilia rejects his declaration and shortly after, Iago draws his sword. This quote shows beyond doubt that Iago actually cares about his identity and what other people think of him as, his fear of exposure is so fierce that it drives him to kill his own wife.…
Up to this point in the play, Othello, the Moor has put his entire life in the hands of “honest Iago.” When Iago’s wife, Emilia doesn’t believe that her own husband is “honest Iago,” it…
Iago’s misogynistic ways are also illustrated when he speaks to Desdemona’s father and implies that she is property, and in that he accuses Desdemona of being unfaithful to her husband, Othello, without any reason. He speaks ill of her and to her, and ultimately, his misogynistic ways are to blame for her death, because he drives Othello to kill her. Another example of his misogyny is when he says, “You rise to play, and go to bed to work (Oth.2.1115),” implying that women are lazy except for when it comes to sex. There is theory that Iago’s misogynistic ways are due to the fact that he secretly loves Othello, and is jealous of women because of it. His slander of Desdemona, his convincing himself of an affair between his wife and Othello, and his proclamations of love for Othello throughout the play could prove this theory to be…
One of Iago’s leading motives for his devilish scheme was the idea that he believed Othello had slept with his wife, Emilia. Iago says, “I hate the Moor,/And it is thought abroad that ’twixt my sheets/ He’s done my office. I know not if ’t be true,/But I, for mere suspicion in that kind,/Will do as if for surety.”…
With these words, Emilia legitimately causes Iago's downfall by revealing to Othello, Cassio and the other men, Iago's full contribution in Desdemona's death. And just as all truth has been justified, Iago comes from behind, and stabs his wife in the back. Emilia, in all her moment of womanly power and strength, is…
Jealousy leads to irrational actions such as manipulating others to cause pain and anguish in their lives, which is the emotions Iago feels because of the resentment towards Othello for choosing Cassio as Lieutenant. Iago begins to feel more uncertainties with Othello arising which lead Iago to believe in the rumors that Othello has slept with his wife. Iago expresses his doubts in his marriage to Emilia “I hate the Moor, and it is thought abroad that twixt my sheets h’as done my office. I know not if’t be true, but I for mere suspicion in that kind will do as for surety”…
If to preserve this vessel for my lord/ From any other foul unlawful touch/ Be not to be a strumpet, I am none” (4.2.82-86). Second, Emilia is most practical example of how women act. Emilia is faithful to her Iago, but does not think cheating is wrong for a good price. Emilia loves Iago, but only supports him when she needs to.…