6. The Renaissance was not restricted to Italy. It spread to northern countries such as France and Germany. One of the cities that benefited greatly from the Renaissance was Burges. The city Burges is in the Flemish region of what is now considered Belgium.…
Often, however, historians have dissected sacred biographies in order to establish factual information. A more useful approach, and one that has been taken up by many recent scholars, is to examine Byzantine hagiography as a means of providing insight into the political, social, economical, and cultural environment in which it was produced. With that being said, an investigation of the ninth century Life of Saint Ioannikios will demonstrate how hagiography may be used to understand Byzantine monastic society during the iconoclastic period. Specifically concentrating on the hagiographer’s intentions, the sources of his material, and his anticipated audience, will make manifest the ways in which hagiography may be used as a source of medieval history, along with the limitations of the genre. While the bulk of the analysis will concentrate on the Life of Saint Ioannikios, other medieval Byzantine sources will be addressed.…
Historical texts are often respected for their informational objectivity whereas art is revered for its visual and philosophical subjectivity. In respect to both historical texts and artistic vision one must be able to differentiate what is perceived and what is accurate. Eusebius’ Life of Constantine is a biography depicting the rule of the late Roman emperor Constantine, exercises offered by Peter Jenny’s The Artist’s Eye uses art as an exploratory aide to decipher a more profound meaning to the text than what meets the untrained eye. When comparing Jenny’s exercise of Constellations in Chapter 7 to Eusebius’ biography there must be a connection between the two texts, an understanding of the biography in its intended form, and an analysis…
Iconoclastic Controversy We today associate the term “Icon” with a lot of different objects and things in today’s time. We use the term to associate with someone who one might look up to, such as a famous musician or influential figure. We as a society also use the term to represent famous well-known software symbols. We can associate the term with those meanings, but the factual, original meaning of the word comes from the Greek language meaning “image” or “painting.”…
Through similar approaches of expression, artwork like the crucifixion became much more personal and easier to…
The relationship between the Papacy and the Byzantine Empire has long since been a delicate balance between two of the most influential powers of the 8th and 9th centuries. There has always been a struggle between these two powers; a struggle concerning the jurisdictions of control each presides over one another. Some of the most influential moments in the history of the Papacy have occurred between the Pope and the Byzantine Empire; whether that may be the Iconoclast Controversy which sparked a public opposition of the use of images in church practices or the Schism of 1054 causing the separation between the Eastern Christian churches and the Western church. The tensions between the Papacy and the Byzantine Empire reached a high during this…
The Comparison between Medieval Europe and Renaissance Northern Europe The two civilizations that I am comparing are the Medieval Europe and the Renaissance Northern Europe. To begin with, in Medieval Europe, Christianity was spread to everyone. The Catholic Church spread Christianity mainly to convert the pagans. It rejected all pagan traditions.…
The period of Medieval Art has many sub categories, one of which is Byzantine art, which originally spawned from Greek and Roman styles. During the medieval times artworks such as paintings and sculptures in the round were no longer being created, so the arts of the time were often mosaics (on the interior walls of churches), manuscripts in richly decorated bibles and architecture. Mosaics, specifically, changed over this period. Transforming from the classical style of the Greeks and Romans, with the realistic and naturalistic forms, developing its own methods, becoming denatured and adding an abundance of symbolism to the pieces. Two such examples are the Justinian and Theodora mosaics at San Vitale.…
In early Renaissance art, artists had a tendency to use the same biblical stories or themes in their artwork. One in particular is the Virgin and Child Enthroned, it was painted by two different artists, thirty years apart from each other. In the year 1280 the first Virgin and Child Enthroned was painted by Cenni Di Pepi, also known as “Cimabue.” (M. Stokstad, 536) The second Virgin and Child Enthroned was painted by Giotto Di Bondone in 1305-1310.…
There was a lot of status, one of Mary, Jesus on a big cross, St Peter and large pictures. The picture that stood out to me the most was of Jesus holding the cross walking while people are looking at him from behind and the last supper picture. Personally, I don’t like to see Jesus suffering walking with the cross. At my church we don’t have statues. The pictures we have are of crosses without Jesus and pictures that say things…
For response of Late Antiquity. I would begin with Dura Europe and Jewish art, this was the powerful religious cross current in the late Antique world. This was founded after the death of Alexander the great by one of his successors. Furthermore, it was in hand of Parthians. There was synagogue painting during this arena.…
Christianity and Judaism was a big deal in Roman and Greek culture during the period of the New Testament. Religion seemed to be the center of many conflicts and separation between civilizations during this time. The birth of Jesus brought in a lot of controversies within Hellenistic cultures and therefore we see many influences of the new covenant in several of the sculptures and art work created by Greco-Roman artists. Going to the Getty Villa, I was able to find many connections between the collection of Greco-Roman antiquities—including the sculptures and even the general atmosphere of the museum—and the historicity of the New Testament. Driving into the Getty Villa It is hard not to note the stone pavement which makes for a bumpy ride.…
The two artists present the paintings in a classical manner that enables the audiences to relate to them by evoking their religious feelings. The paintings are symbolic of the Biblical transformations that took place at the…
Although, in c.730 this was a very difficult position to take against the Catholic Church because the Byzantium Emperor Leo III banned icons and went on a campaign called iconoclasm to destroy paintings and sculptures. In one of John of Damascus’ famous…
Although Giotto’s and Cimabue's ‘Virgin and Child Enthroned” share the same biblical subject of the Virgin Mary and the Christ child, they differ in a number of significant ways that reflect their respective embodiments of the Byzantine style in the early 13th century. Upon first glance the paintings are strikingly alike. They share a long pentagon general shape, position of the baby Christ upon the lap of the Virgin Mary and the Virgin Mary upon her throne, and a gold background that make the setting appear to be in more divine location rather than on earth, but as we look towards the focal point we can pinpoint the most apparent difference - the portrayal of the Virgin Mary. Cimabue closely follows the traditional Byzantine iconography…