In recent times, I’ve learned methods in multitudes for cutting out filler, but sometimes it’s still not enough to eradicate the need for scanning my writing to see if, for instance, I’ve used ten or more words to describe something or someone where only five or less might suffice. There’s never a one-size-fits-each-situational-scenario, fail-safe method guaranteed to work each time, but my knowledge on fluff flambéing techniques is greater now than it’s ever been before. Your revamped and revised “Blue Bird” version is not available for public download, so I can’t compare it against the original, but I might have to suggest—from what I’m able to gather by reading the original—you make expansions to your revision process by accounting for overused words (just/then, was/were), passive verbs (I spotted seven), repeated sentence starts (I spotted eleven), long sentences (one was thirty-seven words long), and clichés outside dialogue (“foam at the
In recent times, I’ve learned methods in multitudes for cutting out filler, but sometimes it’s still not enough to eradicate the need for scanning my writing to see if, for instance, I’ve used ten or more words to describe something or someone where only five or less might suffice. There’s never a one-size-fits-each-situational-scenario, fail-safe method guaranteed to work each time, but my knowledge on fluff flambéing techniques is greater now than it’s ever been before. Your revamped and revised “Blue Bird” version is not available for public download, so I can’t compare it against the original, but I might have to suggest—from what I’m able to gather by reading the original—you make expansions to your revision process by accounting for overused words (just/then, was/were), passive verbs (I spotted seven), repeated sentence starts (I spotted eleven), long sentences (one was thirty-seven words long), and clichés outside dialogue (“foam at the