A five by six by six foot structure stands alone in the studio. The bare and empty space created by the untreated two-by-fours has red cell-like beings and inflated white medical gloves invading the barren construction. Almost looking like a broken skeleton of a church, Schechter’s piece is summoned to life with the use of three roof trusses, two vertical supports, one diagonal post, twelve red cells, and twenty-four medical gloves. The infectious-looking additions to the building face opposite each other. The heavy-looking, blood red creatures rest in a pile in one corner almost seeming to emerge from the floor’s depths. The white, air filled medical gloves take on a personification of white blood cells. Since the structure is missing a fourth
