The Bridge's Narrative Analysis

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The Bridge did not avoid the classical linear narrative where strong causality linked the past with the present and future. The Bridge’s narrative was developed through a four-line structure (A: B: C: D). Each letter corresponded to a storyline. Each one of these lines function in parallel, but they did not necessarily have the same salience for the narrative or the same duration in each episode. For example, A was the most significant, B less, and so on. Some secondary storylines, for example, C, D, were often used to develop aspects of characters or recurrent themes (see Colonna, 2010; Douglas, 2011).

In the case of the Bridge, the four storylines were constructed as it is described below:

• A-line referred to the main crime investigation. Two mutilated torsos were found in the middle of the Bridge. Each part of the torso belonged to a different state and class (one part belonged to a politician from Sweden in the Nordic version and from the US. in the American one, and the other part belonged to a prostitute from Denmark and Mexico in the
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Nevertheless, this storyline was completed in ten episodes in the Nordic Bridge, whereas the American Bridge had three extra episodes, which prepared the ground for season 2. B and C lines for the Nordic Bridge tackled the issue of the welfare state and its failures (social exclusion and class privileges). As it was stressed, B followed the character of Stefan, a social worker and activist who tried to fix social injustices. On the other hand, C addressed the same issue, that of injustice, by putting forward the exploitation of the system by the upper class, which resulted in the perpetuation of social inequalities. Storyline C was developed around Charlotte, the trophy-wife of a rich businessman and investor, who needed a heart transplant. To succeed in this, Charlotte used

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