Breathless Case Study: French New Wave

Great Essays
Week 11
French New Wave
Breathless
90 mins, 1960, French
Directed By: Jean-Luc Godard
Written By: Jean-Luc Godard
Synopsis: Paying homage to the numerous crime thrillers of Hollywood’s Golden era, this film charts the relationship between Michel, a stylish but unpredictable criminal, and his estranged American girlfriend. Again, the notion of escapism through the cinema is key to this most famous of the new wave pictures.
Essential Readings:
Hart Cohen, Juan Francisco Salazar and Iqbal Barkat. (2009). Case Study: French New Wave. In Screen Media Arts: An Introduction to Concepts and Practice. Melbourne: Oxford University Press, (pp. 230-232).
Buckland, Warren. (1998). Film Authorship: The Director as Auteur. In Teach Yourself Film Studies (pp. 72-100). London: Hodder. [Full-text of article on E-Reserve]
Cook, Pam. (1985) Authorship and Counter-Cinema. In Cook, P. (Ed.) The Cinema Book (pp. 192-195). New York: Pantheon. [Full-text of article on E-Reserve]
Recommended Reading
…show more content…
2014. Breathless (1960) - IMDb. [ONLINE] Retrieved from : http://www.imdb.com/title/tt0053472/
French New Wave Film (Nouvelle Vague): Where to Start. 2014. French New Wave Film (Nouvelle Vague): Where to Start. [ONLINE] Available at: http://www.newwavefilm.com/new-wave-cinema-guide/nouvelle-vague-where-to-start.shtml
French, Phillip. (2010). Breathless continues to shock and surprise 50 years on.Read online: http://www.guardian.co.uk/film/2010/jun/06/film-jean-luc-godard-breathless-feature-philip-french-french-new-wave
Hart Cohen, Juan Francisco Salazar and Iqbal Barkat. (2009). Case Study: French New Wave. In Screen Media Arts: An Introduction to Concepts and Practice. Melbourne: Oxford University Press
Solomons, Jason. (2010). Jean-Luc Godard would just turn up scribble some dialogue and we would rehearse maybe a couple of times. Read Online:

Related Documents

  • Improved Essays

    Wynter Film Theory Essay

    • 811 Words
    • 4 Pages

    These structural conversations, lodged in race, gender, and sexuality, covering aspects of spectatorship, narrative, characterization, exhibition, technology, directorial and editorial authority, all work to build an accessible, interactive, multidisciplinary tool for the study of Black independent film, covering the fifty-year period extending from 1967 to 2017, with the potential for extension into a bold and ongoing cinematic future. Focused on Black film theory, with the aim of exploring how ontological conceptions of “the human” and the press and direction of whiteness are inseparable, given the dominant conceptions and categories of human – as duly critiqued by post-informed theories, posthumanisms, new materialisms, and some ecologies – all generally articulated around whiteness, heterosexism, ablisim, and profound Eurocentrism, this project will be available for individual and classroom…

    • 811 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Over the past century, the rate of modernization has exponentially increased. From technological innovation to cultural shifts, the collective human experience has rapidly transformed. As a medium of expression, cinema has responded effectively to these changes by documenting the impacts of the evolving modern world. Film scholar Miriam Hansen’s modernity theory is manifested in creative innovations that visually showcase new technologies and respond to societal attitudes of the times. While Ozu’s That Night’s Wife and Capra’s Why We Fight incorporate the “effects of modernity” by utilizing industrial innovations in electrical lighting and film, Capra’s…

    • 1091 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Auteur theory is the theory of filmmaking in which the director is regarded as the key creative force in a film. Dubbed by American film critic Andrew Sarris in France during the late 1940’s, auteur theory was an outgrowth of the cinematic theories of Andre Bazin and Alexandre Astruc. This theory states that the director, who oversees all visual and audio elements of a film, is considered somewhat of an ‘author’ of a film more so than the writer of the screenplay. This means that visual elements such as blocking lighting, camera placement and angles as well as scene length deliver the message of the film, rather than the plot. To qualify as an auteur, a director must showcase technical competence, personal style, and interior meaning.…

    • 828 Words
    • 4 Pages
    Improved Essays
  • Great Essays

    Schindler's List Narrative

    • 1403 Words
    • 6 Pages

    Film is portrayed as the art of stimulating experiences that convey ideas, emotions and surrounding environments through the use of the mechanical and automatic recordings that reproduce reality; being both past and present. Bergson describes cinema as being directly related to the function of intellect (Deleuze, 1986:1-4). Many theorists have stressed the importance of film’s ability to represent reality and the truth that might have other wise been overlooked. This truth derives from film’s ability to produce images through its mechanical process of reproduction, which does not require human involvement in the initial recording process. This is the reason for much speculation of whether film can be considered ‘art’.…

    • 1403 Words
    • 6 Pages
    Great Essays
  • Great Essays

    As a medium the film industry, in terms of a representative communicative medium, is without equal. Presenting an environment where multiple individuals can come together to share an interpretive event. While still images had been debuted in the early 1830’s they were small and limited to a ‘personal’ experience of typically one or two ‘viewers. With the advent of the…

    • 930 Words
    • 4 Pages
    Great Essays
  • Improved Essays

    For this writing workshop, I will use three critical approaches to discuss the film, The Bicycle Thieves (De Sica, 1948). Of the six approaches, I chose the “National Cinemas”, “Auteur”, and “Ideology” approaches. The “National Cinemas” approach to analyzing film takes into account the culture and national characteristics that influence how a narrative is filmed. To understand and fully appreciate a film, one must understand the historical and cultural conditions that surround it. The writer must distinguish what makes a particular film different from those of another culture from the same time period (Corrigan, 2015).…

    • 727 Words
    • 3 Pages
    Improved Essays
  • Great Essays

    In conclusion, both Breathless and Pulp Fiction employ features of Film Noir, while still incorporating the director’s individual stylistic…

    • 2124 Words
    • 9 Pages
    Great Essays
  • Great Essays

    We will also look at how historical films on Tudor England were used to reflect current political issues taking place during this period, most notably the debate around rearmament. Throughout this essay we will show how many directors focused on particular figures from Tudor history to represent elements that were prominent in this period. It will become obvious that historical films on Tudor England were affected during this period because they were adapted to fit wartime themes and represent the film studios political agenda. The spread of Nazism and emerging threats of war led particular film-makers to create historical films on Tudor England that echoed anti-fascist sentiments.…

    • 1654 Words
    • 7 Pages
    Great Essays
  • Improved Essays

    Arts of film - Film analysis : khalil baajour (31430761) Film : Hiroshima mon amour (genre : drama) Opening Shot : The poetic and internal tone as well as the poetic construction of the film is immediatly set from the opening moments.…

    • 840 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Since the mid 19 century, Hollywood film production has been the most dominate movie cinema throughout the world. Hollywood also produced motion pictures, for this was very innovating and creative in the film production industry. This type of filming industry has become important to the American society, and there are beliefs that Hollywood has influential effects on a society as well. Howard Zinn, was a professor and currently is a book publisher, a play, and musical writer. Howard soon realizes in his career something seems to be odd about the way Hollywood makes films on history.…

    • 1093 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Contextual Studies

    • 472 Words
    • 2 Pages

    In their learning of production design, students consider the application of artistic design and architectural concepts to visual storytelling presentations. In their television study, students examine both scripted and non-scripted content, genres and styles and series development. Video and Audio Techniques (101) This course introduces students to basic video and audio techniques in filmmaking such as; fundamental camera principals, type, formats and operations, shot selection, continuity and screen direction, as well as the basics of lighting. Film Studies (101/202)…

    • 472 Words
    • 2 Pages
    Improved Essays
  • Superior Essays

    Most of all, it is the question to what extent the inclusion in a dominant framework that serves both state and commercial interests is able to provide Māori filmmaking the platform to achieve its political ambitions. Barclay’s notion of Fourth Cinema has activist beginnings rooted in a commitment to the self-determination of Indigenous peoples and the recognition and protection of Indigenous rights in postcolonial settler nations (Martens 2012, p.15). Barclay (2000, p.6-7) comments that Indigenous cultures are external to national orthodoxy and the national outlook, that they are outside spiritually and almost globally as ancient remnant cultures persisting within the modern state, that Indigenous Peoples are also, by definition, outside…

    • 2178 Words
    • 9 Pages
    Superior Essays
  • Improved Essays

    Also unnatural color combinations and special effects are used to attract the audience’s attention in many ways. The movie “Amelie” by Jean-Pierre Jeunet is a great example of formalism style of filmmaking. The movie starts with a fast paced narration while showing the life of different characters. The characteristics of the characters in the film were very unrealistic. Also many special effects were used to give the movie an artificial feeling.…

    • 784 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Film, in general, is a narrative medium, or, at least, a medium of many narrative capacities” (Kuhn). For a film to be a narrative it must present a story with a series of events in ways that imply connections between one event and the next. Narratives must, therefore, have constituent parts, which are also discernibly related; however, the type of relationship may vary greatly. Generally we expect a cause-and-effect relationship: one event has the effect of causing another event, which causes another, and so on. Narratives also require narration, or communication.…

    • 373 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Analysis Of Casablanca

    • 1563 Words
    • 7 Pages

    In the essay Casablanca:cult movies and intertextual collage, from the collection of essays titled Travels of Hyper Reality,Umberto Eco has taken the case of the 1940’s popular American movie Casablanca,directed by Michael Curtis to explain how and why it gained the status of a ‘cult’ movie. He has given a number of reasons in the essay as to why people liked it so much. Eco begins by making it clear that the movie according to him is not a very artistic movie and that despite that the movie has been repeatedly viewed and appreciated by the audiences. In the essay he looks into factors that are required for a movie/text to attain cult status.…

    • 1563 Words
    • 7 Pages
    Improved Essays