In Saints, Four Girl, being her mother’s fourth child, is constantly neglected by her family, but instead is welcomed by a foreign priest who gives her the name Vibiana. Torn and confused by her belonging at home, Vibiana follows the priest and becomes a devout Christian convert (Saints, 52). In spite of her family’s constant petitions for her to carry out the role of a traditional daughter, Vibiana abandons her Chinese culture to be liberated by foreign faith leading her to be identified as a “secondary devil” by her own people. Yang is attempting to discover what aspect of society influences Vibiana’s divided feelings of identity, and her decision to follow foreign faith. By illustrating Vibiana’s conflicts between her rigid Chinese culture and profound Christian identity, Yang reveals his question on what aspects of culture and religious faith can cross paths and change one’s perspective of their own identity and influence their personal autonomy. Likewise in Boxers, Yang illustrates the story of Little Bao, a Chinese village boy who has conflicting intentions for leading a nationalist rebellion against the foreign regime and delivering martyrdom to the Christian missionaries and “secondary
In Saints, Four Girl, being her mother’s fourth child, is constantly neglected by her family, but instead is welcomed by a foreign priest who gives her the name Vibiana. Torn and confused by her belonging at home, Vibiana follows the priest and becomes a devout Christian convert (Saints, 52). In spite of her family’s constant petitions for her to carry out the role of a traditional daughter, Vibiana abandons her Chinese culture to be liberated by foreign faith leading her to be identified as a “secondary devil” by her own people. Yang is attempting to discover what aspect of society influences Vibiana’s divided feelings of identity, and her decision to follow foreign faith. By illustrating Vibiana’s conflicts between her rigid Chinese culture and profound Christian identity, Yang reveals his question on what aspects of culture and religious faith can cross paths and change one’s perspective of their own identity and influence their personal autonomy. Likewise in Boxers, Yang illustrates the story of Little Bao, a Chinese village boy who has conflicting intentions for leading a nationalist rebellion against the foreign regime and delivering martyrdom to the Christian missionaries and “secondary