Borges And Hole In The Wall By Etgar Keret

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Both of the narratives “Borges and I” Jorge Luis Borges and “Hole in the Wall” by Etgar Keret employ the device of multiple worlds in their narrative. Borges introduces a multiple world in “Borges and I” through the use of an embedded narrative. According to Abbot, an embedded narrative allows for “another world to open up with its own story and central character” (Abbot 167). An embedded narrative typically unfolds organically from the thoughts of the main character or the voice of the narrator, to give the illusion of the tangents being stream of conscious. The story opens with the narrator mentioning a man named Borges and unfolds from there:
It’s Borges, the other one, that things happen to. I walk though Buenos Aries and I pause – mechanically now, perhaps – to gaze at the arch of an entryway and its inner door; news of Borges reaches me by mail, or I see his name on a list of academics…My tastes runs to hourglasses, maps, eighteenth-century typefaces, etymologies…Borges shares these preferences (Borges 1)
The story begins with a statement about Borges and a description of the main’s character’s action. Due to this, the narrative establishes the device of introducing multiple worlds as more than a gimmick since it is based around concrete information. The information only expands out when both a character descriptor and an image about Borges has
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According to Abbot, “narrative worlds replicate the actual world we live in. Every day we hope, dream, fear, urge, hypothesize, fantasize and in many ways create worlds that don’t come into being” (Abbot 167). The main character thrives off of the idea of a possible world and instead reflects on the past. The entire narrative is the main character’s attempt to understand their place in the world while in an opposed positon to Borges. Without the embedded narrative, there would be no knowledge about the main character’s

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