In the first image we see that Little Critter is vulnerable to the bully and is placed sitting on the ground (after being pushed) below the bully. The bully stands above him taking a position that Molly might describe as “top man on the totem pole”. But once Little Critter imagines himself as a superhero taking over the bully, the placements are completely different. The second image shows the bully smaller and farther away in a vulnerable position seeming “overwhelmed by the situation”. He is placed towards the bottom of the page signifying “sadness or failure” according to Molly. What Mercer Mayer has done with the bully here can be compared to what Molly Bang did with the red triangle as Little Red Riding Hood: she made the triangle smaller to imply some threat in her environment. Just as the bully is made smaller to seem farther away from us, we can understand when Molly states that “when we are little, we are weaker and can’t defend ourselves as well in a physical fight”. Something I also noticed is the slight lean of the tress which signifies a feeling of tension for the bully (considering he is stranded on top of a tree!). As readers, we now know that Little Critter has more control with his superhero powers. He is placed larger and closer towards the upper half of the page. Molly Bang tells us that placing a character in the upper area of a picture gives him or her, a “stronger tactical position” and shows that he is “feeling happy and has done well”. Because Little Critter is drawn larger and closer to the reader, he seems more “capable of physically overpowering an
In the first image we see that Little Critter is vulnerable to the bully and is placed sitting on the ground (after being pushed) below the bully. The bully stands above him taking a position that Molly might describe as “top man on the totem pole”. But once Little Critter imagines himself as a superhero taking over the bully, the placements are completely different. The second image shows the bully smaller and farther away in a vulnerable position seeming “overwhelmed by the situation”. He is placed towards the bottom of the page signifying “sadness or failure” according to Molly. What Mercer Mayer has done with the bully here can be compared to what Molly Bang did with the red triangle as Little Red Riding Hood: she made the triangle smaller to imply some threat in her environment. Just as the bully is made smaller to seem farther away from us, we can understand when Molly states that “when we are little, we are weaker and can’t defend ourselves as well in a physical fight”. Something I also noticed is the slight lean of the tress which signifies a feeling of tension for the bully (considering he is stranded on top of a tree!). As readers, we now know that Little Critter has more control with his superhero powers. He is placed larger and closer towards the upper half of the page. Molly Bang tells us that placing a character in the upper area of a picture gives him or her, a “stronger tactical position” and shows that he is “feeling happy and has done well”. Because Little Critter is drawn larger and closer to the reader, he seems more “capable of physically overpowering an