Its expression of humanity’s struggle and it’s inspiration toward love, redemption and hope. The active, deep-rooted homophobia in Jamaican/West Indian Culture. Although Adam Benjamin's research has greatly influenced contemporary dance in the UK and elsewhere through his development and advocacy of inclusive practice, this case study focuses on his impact on contemporary dance and disability culture in Ethiopia. By introducing integrated practice to Adugna Community Dance Company in Addis Ababa (in which able-bodied and disabled dancers perform together), and continuing to foster its development through his choreographic and mentoring work with its current Artistic Directors, he has helped to transform the lives of individual disabled performers as well as strongly contributing to the socially-driven nature, values and aesthetics of contemporary Ethiopian …show more content…
During her seven decade long career, her modern dance and choreographies gathered the fame that is today. Martha Graham’s impact on dance was staggering and often compared to that of Picasso’s on painting, Stravinsky’s on music, and Frank Lloyd Wright’s on architecture. Her contributions transformed the art form, revitalizing and expanding dance around the world. In her search to express herself freely and honestly, she created the Martha Graham Dance Company, one of the oldest dance troupes in America. As a teacher, Graham trained and inspired generations of fine dancers and choreographers. Merce Cunningham refined the work that his colleague Martha Graham formed, and expanded with this his own improvements, choreographies and avant-garde dance techniques. During his career he was considered as one of the greatest creative minds in American dance, education dozens of worldwide famous dancers and thousands professional dancers who preserved his style until today. Merce Cunningham was undoubtedly the greatest single influence on contemporary dance both in Britain and in the US. His originality lay not only in his well-known use of chance procedures and of choreography conceived independently of music and decor, but in his expansion of the basic possibilities of space, time and movement in dance. A prolific genius for whom the wells of creativity seemed to flow unhindered,