The "virtuous" characters believe in this idea, such as Ligurio, the practical central character who approaches all problems through his own intellect, without thought to morality. Ligurio is able to seduce the young Madonna Lucrezia Around that time people were concerned with making money and economizing and using cleverness to achieve their aims. In the third chapter, Boal compares Hegel and Bertolt Brecht. There is some misunderstanding which has to do with how certain words or terms are used. Hegel creates an idealistic theater, where moral characters act according to their individual, free wills. The character is like the subject of a sentence, the acting force that creates action. As we have seen in ‘Aristotle’s Coercive System of Tragedy’, invokes empathy in the spectator and this provokes, fundamentally, a delegation of power on the part of the spectator, who becomes an object in relation to the character: the spectator feels what happens to the characters will happen to him.. In Brecht's Marxist theater, the social roles of characters are emphasized. Characters reflecton society, which forces them into certain actions and behaviors. In Brecht's theater, the audience is called to action through an
The "virtuous" characters believe in this idea, such as Ligurio, the practical central character who approaches all problems through his own intellect, without thought to morality. Ligurio is able to seduce the young Madonna Lucrezia Around that time people were concerned with making money and economizing and using cleverness to achieve their aims. In the third chapter, Boal compares Hegel and Bertolt Brecht. There is some misunderstanding which has to do with how certain words or terms are used. Hegel creates an idealistic theater, where moral characters act according to their individual, free wills. The character is like the subject of a sentence, the acting force that creates action. As we have seen in ‘Aristotle’s Coercive System of Tragedy’, invokes empathy in the spectator and this provokes, fundamentally, a delegation of power on the part of the spectator, who becomes an object in relation to the character: the spectator feels what happens to the characters will happen to him.. In Brecht's Marxist theater, the social roles of characters are emphasized. Characters reflecton society, which forces them into certain actions and behaviors. In Brecht's theater, the audience is called to action through an