Yet, the white society this establishment was under didn’t begin to listen until religious figures (like the Quakers) began to put slavery into a context of sin. Most slaves identified with the same religion as their oppressors, and used that to their advantage in advancing their arguments, for example, Equiano claims “I thought that if it were God's will I ever should be freed it would be so”, emphasizing his dedication to his religion, which could be appreciated by the intended audience. Frederick Douglass, another prominent ex-slave writer was praised as “His written productions in finish compare favorably with the written productions of our most cultivated writers”, which forced his audience to confront the defied stereotype of slaves being uneducated (qtd. in Douglass vi). By writers presenting gruesome, vivid crimes against slaves, it not only provided the sensationalism an audience craves, but it “transformed readers into witnesses, placing them under the ethical obligation to effect its end” (Abdur-Rahman 236). Accomplishing a relatability to the audience would be a hard task, due to proponents of the slave industry having no way to empathize with the victims, but writers forced the oppressors to…