While she is introduced rather suddenly and graces the story with her presence only briefly, she serves as the catalyst to Bandini’s personal development. Following a humiliating rejection by Camilla, an emasculated Bandini returns to his room to find an unknown visitor. The “not beautiful, but attractive and mature” (79) Vera Rivkin welcomes herself into the room, grabs a page of Bandini’s work and immediately challenges his writing. She recites a poem from Edna St. Vincent Milay and proclaims, “That’s literature! You don’t know anything about literature. You’re a fool!” (80-81). For the first time in the novel, the usually insecure, defensive Bandini refrains from attacking her and her criticism. Instead, he is intrigued by the woman and indulges
While she is introduced rather suddenly and graces the story with her presence only briefly, she serves as the catalyst to Bandini’s personal development. Following a humiliating rejection by Camilla, an emasculated Bandini returns to his room to find an unknown visitor. The “not beautiful, but attractive and mature” (79) Vera Rivkin welcomes herself into the room, grabs a page of Bandini’s work and immediately challenges his writing. She recites a poem from Edna St. Vincent Milay and proclaims, “That’s literature! You don’t know anything about literature. You’re a fool!” (80-81). For the first time in the novel, the usually insecure, defensive Bandini refrains from attacking her and her criticism. Instead, he is intrigued by the woman and indulges