His younger brother Domitian succeeded him, and built The Arch of Titus in his commemoration. However, there was a message of religious and political virtue sent through the construction of The Arch of Titus. It was a display of the emergence of the new Flavian dynasty; post the civil disharmony of year 69 C.E, a period known as the “Year of the Four Emperors”. The monument cemented the place of this newly emerged dynasty in the Roman power structure, providing them legitimacy in the eyes of the people. To ensure this, the arch was built on the main street of ancient Rome, a place where any victorious parades would go through en route to the Roman Forum complex. Emperor Domitian intended for this monument to stand forever, displaying the might of the Flavian dynasty for generations to come. This intention did prove to be successful, as The Arch of Titus, is oldest of all ancient Roman triumphal arches that still stands today, and served as a model for triumphal arches designed after it. The complex was partially destroyed due to being used as a war fort, but restored later in 1817 by Raffaele Stern and continued by Valadier Giuseppe in
His younger brother Domitian succeeded him, and built The Arch of Titus in his commemoration. However, there was a message of religious and political virtue sent through the construction of The Arch of Titus. It was a display of the emergence of the new Flavian dynasty; post the civil disharmony of year 69 C.E, a period known as the “Year of the Four Emperors”. The monument cemented the place of this newly emerged dynasty in the Roman power structure, providing them legitimacy in the eyes of the people. To ensure this, the arch was built on the main street of ancient Rome, a place where any victorious parades would go through en route to the Roman Forum complex. Emperor Domitian intended for this monument to stand forever, displaying the might of the Flavian dynasty for generations to come. This intention did prove to be successful, as The Arch of Titus, is oldest of all ancient Roman triumphal arches that still stands today, and served as a model for triumphal arches designed after it. The complex was partially destroyed due to being used as a war fort, but restored later in 1817 by Raffaele Stern and continued by Valadier Giuseppe in