Chiefly, I think I learned, and I hope we all learned, that there is a reason that these plays were written as tragedies and not comedies. Namely, that comedy is ill-adapted to convey the messages of these great works, especially mediocrely performed comedy. The message of, say, Antigone is lost if satyrs distract the audience; that of Prometheus Bound if satyrs heckle intentionally bad actors; etc. etc. Our performance had no message. This was most clearly evident in scenes such as Alcestis; it became purely political, losing all sense of the message of the power of friendship. To entertain and audience is indeed an important task, but it is hardly an end goal. This performance has taught me that much. I doubt that any of the comic scenes we performed had any real impact, but I have no doubt that the lone serious scene may have and definitely would have if not sandwich between comic scenes. The best comedy might be able to convey a message, but even a mediocre tragedy
Chiefly, I think I learned, and I hope we all learned, that there is a reason that these plays were written as tragedies and not comedies. Namely, that comedy is ill-adapted to convey the messages of these great works, especially mediocrely performed comedy. The message of, say, Antigone is lost if satyrs distract the audience; that of Prometheus Bound if satyrs heckle intentionally bad actors; etc. etc. Our performance had no message. This was most clearly evident in scenes such as Alcestis; it became purely political, losing all sense of the message of the power of friendship. To entertain and audience is indeed an important task, but it is hardly an end goal. This performance has taught me that much. I doubt that any of the comic scenes we performed had any real impact, but I have no doubt that the lone serious scene may have and definitely would have if not sandwich between comic scenes. The best comedy might be able to convey a message, but even a mediocre tragedy