The two vertical subjects are slightly off-centered to the right; this technique is implemented to persuade the eye to move horizontally, across the frame. The contrast in the photograph is combined with secondary colors. The first half of the frame appears darker than the second half, going from dark to light. Maybe the photographer was implying that the children and cargo train are heading to darkness and leaving the light. The prepetition of the brown color of the children and the brown color of the horse along with the black hair represents unity within this photograph. The boy and girl on the horse are perfectly aligned at eye level, allowing them to be the first thing your eye sees on the photo. The angle of view in this picture was taken at a one-point perspective, representing a straight-forwarded viewpoint. All of the main subjects are grouped closely together so that they are viewed as one visual element, the proximity of this picture also lies within the center of the rule of
The two vertical subjects are slightly off-centered to the right; this technique is implemented to persuade the eye to move horizontally, across the frame. The contrast in the photograph is combined with secondary colors. The first half of the frame appears darker than the second half, going from dark to light. Maybe the photographer was implying that the children and cargo train are heading to darkness and leaving the light. The prepetition of the brown color of the children and the brown color of the horse along with the black hair represents unity within this photograph. The boy and girl on the horse are perfectly aligned at eye level, allowing them to be the first thing your eye sees on the photo. The angle of view in this picture was taken at a one-point perspective, representing a straight-forwarded viewpoint. All of the main subjects are grouped closely together so that they are viewed as one visual element, the proximity of this picture also lies within the center of the rule of