Titian is known through his works with his unique without focus of the outlines and depending more towards highlights of colors. This was the outcome from the influence of living between Mannerism to Baroque. During the beginning of Titian career, he was an apprentice with a few famous artists before him. Some includes Gentile and Giovanni Bellini, eventually partnered with Giorgione for the majority for the first few years. One of Titians surviving fresco, Fondaco dei Tedechi, only work that was recorded to be collaborated with Giorgione. Unfortunately, their partnership cut short when Giorgione died in 1511. The biggest influences in Titian pieces are driven to neither religious nor mythological.
Titian’s best example of his interpretations …show more content…
The technique he used constant layering to the pigments to make the color solid and bright. The story behind the painting is Europa being dragged to the sea by Zeus disguised as a white bull. Unlike The Sacrifice of Abraham, the oil on canvas painting appears to have softer textures and background. Yet, still maintain colors to provide illusion to movements. Using complementary colors to trick the viewers into seeing a third color. Darker tones are concentrated on the right side of the in the background. However, as we go from right to left the shade becomes color full in red and blue in the sky. On land people are chasing after her with reflections that are shown in the water. Followed by people, cupids are flying towards them and preparing to shoot their arrows with one riding a fish. Heavier texture is also included in the splash in the water, the red clouds to the shadows in the mountains. The people and the land in the background appears that Europa and the bull are floating. Dramatic Europa drapery has a wet clothing technique making the clothing see …show more content…
Linear perspective is shown both back grounds and foreground in the stair and the buildings leading to a mountainous landscape. The weights in the portrait are balanced between the dense crowd to the left and the figures on top of the staircases. Meanwhile, people can be seen peeking outside the windows. The important figures have the most detailed attire which is also multicolored in blue, yellow, and red. Since everybody else wear clothing in one tone without any extra details in the clothing except for shadows in the robes. Also, the two figures can be indicated to be important how everyone’s heads are focused on them. Yet, the child in the middle represents the Virgin Mary at 3 years old with a bright yellow like mist around her. This yellow light represents either divinity or the essence in purity from the 3 year old child. Coloring of the foreground is in a yellow hue and the backgrounds are faded to mostly blue. The axis of the art stays in horizontal display except for the building which can be placed in a horizontal property. The buildings were inspired by the mix of Roman arches along with heavily decorated Doric columns. Lighting source comes from the sun pointing to the left side in
Titian’s best example of his interpretations …show more content…
The technique he used constant layering to the pigments to make the color solid and bright. The story behind the painting is Europa being dragged to the sea by Zeus disguised as a white bull. Unlike The Sacrifice of Abraham, the oil on canvas painting appears to have softer textures and background. Yet, still maintain colors to provide illusion to movements. Using complementary colors to trick the viewers into seeing a third color. Darker tones are concentrated on the right side of the in the background. However, as we go from right to left the shade becomes color full in red and blue in the sky. On land people are chasing after her with reflections that are shown in the water. Followed by people, cupids are flying towards them and preparing to shoot their arrows with one riding a fish. Heavier texture is also included in the splash in the water, the red clouds to the shadows in the mountains. The people and the land in the background appears that Europa and the bull are floating. Dramatic Europa drapery has a wet clothing technique making the clothing see …show more content…
Linear perspective is shown both back grounds and foreground in the stair and the buildings leading to a mountainous landscape. The weights in the portrait are balanced between the dense crowd to the left and the figures on top of the staircases. Meanwhile, people can be seen peeking outside the windows. The important figures have the most detailed attire which is also multicolored in blue, yellow, and red. Since everybody else wear clothing in one tone without any extra details in the clothing except for shadows in the robes. Also, the two figures can be indicated to be important how everyone’s heads are focused on them. Yet, the child in the middle represents the Virgin Mary at 3 years old with a bright yellow like mist around her. This yellow light represents either divinity or the essence in purity from the 3 year old child. Coloring of the foreground is in a yellow hue and the backgrounds are faded to mostly blue. The axis of the art stays in horizontal display except for the building which can be placed in a horizontal property. The buildings were inspired by the mix of Roman arches along with heavily decorated Doric columns. Lighting source comes from the sun pointing to the left side in