“How did the protest music performed by Pete Seeger empower people during the 1960s to stand against social norms when the United States was faced with multiple problems, such as the Vietnam War and the Civil Rights Movement?” Title For many centuries, music has been an unwavering force in society, offering entertainment for various ceremonies and events, while also providing an outlet for creative expression. Most people see the entertainment factor in music, but fail to realize the power music has to influence social change.…
This song set a new precedent for hip-hop, shaping it into a genre full of strong social commentary about the struggles of people of color and people in poor urban neighborhoods, and drawing attention to issues of institutionalized racism. It paints an image of life in the ghetto: in the 1980s the Bronx was a victim of government neglect, with resources and funds going to more affluent neighborhoods. The song sought to inform people of the conditions in their neighborhood and ghettos like it…
This seems to be fueled by his love of the b-boying and b-girling culture. Which is understandable, this culture is so very unique, diverse and intricate all while it holds very important connections to American, and world music history. (Describe the music and its impact on this particular society? The music of hip-hip, b-boying and b-girling generally contains a very strong upbeat, pump up, action packed, with fast paced beats, sometimes with many syllables, and most of the time very minimal if even any lyrics at all. The music connects to b-boys and b-girls on a very spiritual and emotional level.…
Craig Werner’s A Change is Gonna Come: Music, Race, and the Soul of America, serves as an overview of the post-war history of recorded music by and influenced by African Americans. In addition to a historical analysis of post-war African American music, Werner focuses on how music both effects and is effected by society and provides a running dialogue between artists and eras. Music’s significance transcends its commercial and aesthetic value and does not simply serve as a soundtrack to a generation or a point in time. Additionally, music weaves itself into the fabric of history and when viewed in isolation loses its context and importance in understanding how it and the surrounding world changed over time. With that in mind, Werner sets out to place popular and vernacular artists in the “African American idiom” as a vital mirror to the human and American experience and in possession of the capacity to effect change.…
“My hip-hop will rock and shock the nation like the Emancipation Proclamation” These prophetic words come from the well know Wu-Tang Clan member, U-God AKA Golden Arms AKA Universal-God, AKA Lamont Jody Hawkins. These words ring true as the Wu-Tang Clan remains known as one of the most influential rap groups ever. However this isn’t just about “hip-hop” it’s about the “nation”.…
Aaron Copland was the leading innovator in American music. He was one of the maximum valued yet respected musicians of the twentieth century. Aaron Copland was a marvelous inspiration to aid American musicians detach from the ‘European’ music style. Twentieth century Americanism was revealed in the tunes made by Aaron Copland; therefore, he was perceived as America’s supreme composer. Born a son of jewish immigrants, as well as being the youngest of the children, Aaron, grew up above his parent’s department store located in Brooklyn, New York.…
Heron later became highly influential to many different art forms including neo-soul, hip-hop, and rap. As will be discussed later, Heron’s work in social justice has gone on to have a significant impact on the work of future artists such as Kendrick Lamar, Killer Mike, Drive-By Truckers, and J. Cole. Throughout his young adult life, and through the rest of his time, Heron was an advocate for black rights and the Black Arts Movement. During college, he took two years off to write his two novels, The Vulture and The Nigger Factory, both of which exploit the harsh realities that…
For example, Kendrick Lamar’s controversial song “Alright” details the modern plight and loss of life in the African American community as a result of police brutality (1). This song garnered such critical-acclaim that it was widely considered the “protest anthem” to the Black Lives Matter Movement. Many of these modern-day artists follow in the footsteps of individuals, like Heron, and utilize their platform to promote and express socially conscious content in a way that younger generations may comprehend. This allows for the continuation of the education of the masses through artistic means and the paying of homage to artistic predecessors who too pushed socially conscious and relevant content, such as Gilbert…
Modern hip-hop has started to embody the earlier roots of hip-hop, transitioning into the politicized art form it once was. Due to the ongoing and continuous violence and systemic racism perpetrated against the black community, as well as increased access to media, the United States has become increasingly polarized, creating a black community that feels betrayed and dejected. Subsequently, hip-hop artists have turned to the microphones to take a stand. Jasari X, and Mick Jenkins, both exemplify the ongoing and systemic oppression perpetrated against black people by demonstrating the tremendous affect prejudice and discriminatory violence has on a group of people.…
Throughout history, war antagonists transformed their concern, empathy, and anger into emotional poetry, visual art, or music. Although war culture typically fell into the pro-war category, the Vietnam War’s musical culture was different from other wars in that its song fell into the anti-war category because of the negative sentiment towards the war that new technology and the media were perpetuating. Rock and Roll eventually became knows as the “weapon of cultural revolution”, as it influenced changed amongst all American, including African Americans, women, and teenagers. Although anti-war music was not the only source that ended the Vietnam War, the political, anti-Vietnam War music did raise spirits and liberate previously suppressed…
Bob Dylan’s Lyricism: A Countercultural Perspective Abstract: Bob Dylan, a songwriter, poet and a 2017 Nobel laureate in literature is often portrayed as the guiding spirit of the sixties counterculture. Dylan’s politically committed songs in the 1960’s articulated a vision of society that was radically different from the existing political realities. The paper highlights the cultural resonance of Dylan’s radical lyricism amidst the countercultural era. It depicts the close affiliations that existed between Dylan’s songs and liberation movements of the times.…
INTRODUCTION The world’s many dystopian debacles including, poverty, war and capitalism are commonly disputed though the effective manipulation of protest songs. Cambridge Dictionary defines protest song as a song that expresses disapproval, typically regarding politics. Song-writers have manipulated stylised literacy conventions since the 1960s to empower mass populations, return voice to those who have been marginalised, influence people’s cultural perspectives and widen social ideologies. The songs “White Fella Black Fella” (1985) by Warumpi Band and “I Am Austrlian” (1987) by The Seekers both contain the literacy techniques of: meaning, imagery, language, tone, and style which have been effectively mastered to clearly convey their parallel protest messages.…
Between 1965 and the 1990s, culture and popular music had been intertwined in the United States. There were postwar promises of prosperity such as jobs, social leveling and of peace. However, this was not at all true and the promises were not kept. During these periods a counter-culture surfaced that reacted against ongoing justices and questioned the United States. One of the prominent keys were musicians who wrote protest songs and delivered their message to the people.…
The last two lines use repetition to drive the importance of hip hop home, saying, “Our freedom of speech is freedom or death/we got to fight the powers that be/” (Ridenhour et al 1). Here, repetition of the word freedom shows the whole point of making the hip hop music: to gain freedom in a system of social control that values certain races or social statuses over others. In the college educational system, many schools do not necessarily consider hip hop music to be educational. However, as evidenced in “Fight the Power”, hip hop music is not just a form of entertainment for a selected group of…
Today, the line “Fuck tha Police” has become an anthem against police brutality. Rich Goldstein, a journalist says, ”oppressed African Americans [have] turned these three words into bullets.” This all shows how powerful music can be, powerful enough to begin to challenge society’s norms and…